TV drama based on Richard Burton’s diaries, about his last performance in 1983 with ex-wife Elizabeth Taylor. They meet after several years and he agrees to her suggestion that they star in a stage revival on Broadway of Noel Coward’s comedy ‘Private Lives’, although Elizabeth Taylor has never before performed on stage. Burton soon regrets his agreement, however, when her pill-popping and lack of discipline causes problems already during the rehearsals. The play opens to a critical trashing, but is popular with audiences because they just want to see Taylor. After a two month troubled run, the curtain comes down and Taylor tells Burton she has always loved him and still does. A year later he is dead.

Lacey, a socially detached loner is cursed with immortality and a never-ending tedium of existence. In her attempts to keep her compulsions in check, she seeks out the darkest souls humanity has to offer. Lacey must now face her own inner demons while simultaneously finding her next meal.

A father comes home to Tennessee from the “police action” in Korea to take over operation of the family moonshine making operation, but runs afoul of some gangsters who want in on the action.

The spear signifies political power, the arrow personal ambition. What happens when the two collide?

Alain, a successful Parisian publisher struggling to adapt to the digital revolution, has major doubts about the new manuscript of Léonard, one of his long-time authors – another work of auto-fiction recycling his love affair with a minor celebrity. Selena, Alain’s wife, a famous stage actress, is of the opposite opinion.

A gay man living with HIV must confront the guilt tormenting him after betraying and infecting his terminal ex-lover.

Only one week left until South Korea will go under sovereign default. Han Shi-Hyun is a leader of the monetary policy team at the Bank of Korea. and is assigned to a crisis team.

One suspects writer-director Carol Lai may have harboured some Black Swan ambitions with a tale that also centers around a stage practitioner who embarks on an unwitting destructive journey when playing a role to die for. The Second Woman, whose Chinese title Romance Riddle may hold better clues as to how this film developed, being more of a guessing game that threw constant clues rather than a overly romantic film about twins falling in love with a man who decided it’s perfectly OK to string both women along, until he discovers that this spells double trouble.

When a man loses his job, he slowly descends into car theft and serial murder. A dark, unflinching look at the darkness of a soul on the edge.

It is 1943, and the German army, ravaged and demoralised, are hastily retreating from the Russian front. In the midst of all this madness, conflict brews between the aristocratic yet ultimately pusillanimous Captain Stransky and the courageous Corporal Steiner. Stransky is the only man who believes that the Third Reich are still vastly superior to the Russian army; however within his pompous persona lies a quivering coward who longs for the Iron Cross so that he can return to Berlin a hero. Steiner, on the other hand is cynical, defiantly non-conformist and more concerned with the safety of his own men rather than the horde of military decorations offered to him by his superiors. Steiner’s lack of respect results in a growing animosity between the two…

An ophthalmologist’s mistress threatens to reveal their affair to his wife, while a married documentary filmmaker is infatuated by another woman.

After death, people have just one week to choose only a memory to keep for eternity.