Young Ganga is sold to a brothel in Mumbai in the garb of becoming an actor by her lover in the 1950s. She goes on to become the feared Gangubai – the Matriarch of Kamathipura – the champion of female emancipation and advocate of rights for sex workers in a chauvinist and narrow-minded society.
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IT’S NOT A DATE tells the story of Carly and Milo, a couple in their twenties on their first date. Although “It’s not a date” but more of a casual meet at a local club; it begins as a classic girl meets boy saga with casual conversation that escalates to a night of passion. It evolves, NOT into a romantic partnership or a parting nod, to “bad chemistry” but instead with Carly. Frustrated with a life full of bad dates and believing that Milo is the worse of them she takes Milo on a detour into insanity so extreme he wishes “It’s not a date.”
A young girl named Mija risks everything to prevent a powerful, multi-national company from kidnapping her best friend – a massive animal named Okja.
Alice Howland, happily married with three grown children, is a renowned linguistics professor who starts to forget words. When she receives a devastating diagnosis, Alice and her family find their bonds tested.
David Blair directs this powerful British Drama, loosely inspired by John Steinbeck’s novel ‘Of Mice and Men’. Set in Nottingham, the film revolves around the relationship between the thuggish Danny (Stephen Graham) and Joseph (Adewale Akinnuoye-Agbaje), a giant of a man with a mental age of seven. When Danny finds himself in debt to a local crime boss, he feels he is left with no choice but to manipulate Joseph into participating in a series of underground cage fights from which Danny can pay his debts.
Duke Red has overseen the construction of a massive Ziggurat to extend his power across the whole planet. Tima, a robot-girl built in the image of his deceased daughter, is at the core of these plans. However, after escaping the Duke’s clutches in a laboratory fire, she meets and befriends Kenichi, a boy who’s traveled to Metropolis with his detective uncle in search of a scientist wanted for organ trafficking. Will her relationship with Kenichi, and the realization of the truth of her existence, change her destiny?
Danny Trejo plays ‘Bullet’ a tough cop who takes the law into his own hands when his grandson is kidnapped.
A dark and atmospheric story of female friendship tested by deceit, betrayal and a terrifying past. Susan, outwardly confident and Becky, more fragile and shy, both in their late twenties, are inseparable friends. But both women have secrets they have not shared, some recent, some long past and deeply buried. When, on a weekend trip to Dartmoor, they encounter the charismatic Chris, they are led into a web of mind games, sexual deceit and betrayal. As Becky’s traumatic involvement in Chris’ own damaged past is revealed, a psychological journey swiftly becomes a fight for survival.
A Cantonese street cook and his chief rival, a French-trained Michelin-starred chef, discover they have a lot in common as they prepare for a world-famous culinary competition. An international culinary competition becomes a battleground between rival cooks, one famous for his Cantonese street food and the other a Michelin-starred chef trained in France. But their rivalry takes an unexpected turn when they discover a common foe and combine their skills in a fusion of East and West.
Lamb, based on the novel by Bonnie Nadzam, traces the self-discovery of David Lamb in the weeks following the disintegration of his marriage and the death of his father. Hoping to regain some faith in his own goodness, he turns his attention to Tommie, an awkward and unpopular eleven-year-old girl. Lamb is convinced that he can help her avoid a destiny of apathy and emptiness, and takes Tommie for a road trip from Chicago to the Rockies, planning to initiate her into the beauty of the mountain wilderness. The journey shakes them in ways neither expects.
The fictional Father Ángel de la Cruz is based on Legion of Christ
founder Marcial Maciel, whose long history of child abuse was not
addressed until 2006 and only publicly acknowledged in 2009.
But director Luis Urquiza chooses to structure his film through the
largely uncomprehending, wondering eyes of 13-year-old Julián, who
travels from the arms of his loving pastoral family into the austere,
hallowed halls of the seminary. Singling out the boy as his intimate
disciple, installing him in his palatial private quarters and redubbing
him “Sacramento Santos,” Father Ángel begins Julian’s instruction
into the mysteries of “perfect obedience,” whose cardinal rule is:
Never question a superior’s actions.
