A dark and atmospheric story of female friendship tested by deceit, betrayal and a terrifying past. Susan, outwardly confident and Becky, more fragile and shy, both in their late twenties, are inseparable friends. But both women have secrets they have not shared, some recent, some long past and deeply buried. When, on a weekend trip to Dartmoor, they encounter the charismatic Chris, they are led into a web of mind games, sexual deceit and betrayal. As Becky’s traumatic involvement in Chris’ own damaged past is revealed, a psychological journey swiftly becomes a fight for survival.
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A beautiful but amoral model sleeps her way to the top of the London fashion scene at the height of the Swinging Sixties.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
On his way up north to visit friends, BEN picks up a mutual acquaintance, SAM, from her apartment in the city. Instead of taking the Interstate, they both agree for the longer but more scenic coastal highway, exploring and developing a companionship. Upon reaching San Francisco later that evening, the two decide to divorce destination from conclusion and get back in their car to find out just how far the Pacific Coast Highway will take them. Along the route they wind through weathered towns, giant forests, state lines and the realization that the farther they go, the closer they become and those forces that kept them looking back are being left far behind.
In 1951, Marcus Messner, a working-class Jewish student from New Jersey, attends a small Ohio college, where he struggles with anti-Semitism, sexual repression, and the ongoing Korean War.
A young and cynical female journalist learns love may transcend trials and time as she discovers a story that will change her life forever. When war separates lovers on their wedding anniversary Feb. 14, 1944 at LA Union Train Station, Navy pilot Neil Thomas makes a promise he isn’t sure he can keep – to return to the train station safe by their next anniversary. For sixty years Caroline Thomas keeps her promise by waiting at the train station until her missing in action husband can finally keep his with the “lost valentine.” The message and meaning shows romance and love can be real; worth fighting, and maybe even dying for.
An anarcho-absurdist blood-soaked grand guignol indie flick with attitude to burn, this is the pitch perfect youth movie from Hong Kong. A twenty-something punk fancies himself a total player, but the best job he can find is overnight clerk at a convenience store. The other clerk is a cute chick and you’re thinking “rom com,” but then there’s a robbery, a gangster, a shoot-out, and by the time a neighbor is pulling out a homemade bomb, you realize that this violent farce is all about the current situation in Hong Kong where nothing makes sense, the heartless wipe their feet on the hopeless, and you might as well burn it all down because there are no more better tomorrows.
The Burlesque Lounge has its best days behind it. Tess, a retired dancer and owner of the venue, struggles to keep the aging theater alive, facing all kinds of financial and artistic challenges. With the Lounge’s troupe members becoming increasingly distracted by personal problems and a threat coming from a wealthy businessman’s quest to buy the spot from Tess, the good fortune seems to have abandoned the club altogether. Meanwhile, the life of Ali, a small-town girl from Iowa, is about to change dramatically. Hired by Tess as a waitress at the Lounge, Ali escapes a hollow past and quickly falls in love with the art of burlesque. Backed by newfound friends amongst the theater’s crew, she manages to fulfill her dreams of being on stage herself. Things take a dramatic turn though when Ali’s big voice makes her become the main attraction of the revue
Writer and Adderall enthusiast Stephen Elliott reaches a low point when his estranged father resurfaces, claiming that Stephen has fabricated much of the dark childhood that that fuels his writing. Adrift in the precarious gray area of memory, Stephen is led by three sources of inspiration: a new romance, the best friend who shares his history, and a murder trial that reminds him more than a little of his own story. Based on the memoir of the same name.
Young Treasury Agent Elliot Ness arrives in Chicago and is determined to take down Al Capone but it’s not going to be easy, because Capone has the police in his pocket. Ness meets Jimmy Malone a veteran patrolman and probably the most honorable one in the force. He asks Malone to help him get Capone but Malone warns him that if he goes after Capone, he is going to war.
Set during China’s the Warring States Period (476-221 BC), benevolent warrior Chenkang Lu (Joe Odagiri) enters into a torrid love affair with a woman (Maggie Q) from the nomadic Harran tribe. Their relationship sends the warrior to a place where humans were once wolves…
