In the 18th Century, John Cavendish, a Scottish adventurer, arrives in Tuscany and makes his fortune from his expert knowledge of botany and agriculture. In the present day, Marcus Cavendish, an American painter and playboy with mounting debts, receives a letter from Chiara Conti, an Italian solicitor, who reveals to him that he is of the Cavendish blood line. She tells him that he is the heir of Peter Cavendish, the last descendant of John Cavendish. Believing that this potential fortune may solve his money problems – and may even sort his head out – Marcus travels to Tuscany to get his inheritance. Having arrived at Cavendish Castle, Marcus thinks he has solved all of his problems, but discovers that he has to fight an ancient evil that has tormented his family for centuries, so he realizes that money, property and land mean little when faced with a blood curse as a surprise inheritance.

An all-Irish cast (including Donal McCann, Rachael Dowling and Colm Meaney) lends authenticity and gravitas to director John Huston’s final film, an elegiac take on a short story by James Joyce (from The Dubliners). After a convivial holiday dinner party (circa 1904), things begin to unravel when a husband and wife address some prickly issues concerning their marriage. The movie stars Huston’s daughter, Anjelica, and was scripted by his son, Tony.

Los Angeles television producer Maggie Baker (Schram) unwittingly falls for Danny Wise (Murray), the son and former producer of his mother’s (Rothery) popular annual Christmas special Julia Wise Lifestyle. When Maggie’s secret plan to reunite Danny and his two brothers with Julia during the live broadcast in Vermont goes awry, Maggie is reminded that above all, it is the love for family and friends that makes the merriest of Christmas.

In 1983, a naive man is detained by Australian Federal Police with lethal narcotics hidden in his stomach. After being apprehended, ‘The Mule’ makes a desperate choice… to defy his bodily functions and withhold the evidence – literally.

Harry Price investigates the ghosts of Borley Rectory during his stay there.

Coming of age story about two inner city youths, who are left to fend for themselves over the summer after their mothers are taken away by the authorities.

Deep into a solo voyage in the Indian Ocean, an unnamed man (Redford) wakes to find his 39-foot yacht taking on water after a collision with a shipping container left floating on the high seas. With his navigation equipment and radio disabled, the man sails unknowingly into the path of a violent storm. Despite his success in patching the breached hull, his mariner’s intuition and a strength that belies his age, the man barely survives the tempest. Using only a sextant and nautical maps to chart his progress, he is forced to rely on ocean currents to carry him into a shipping lane in hopes of hailing a passing vessel. But with the sun unrelenting, sharks circling and his meager supplies dwindling, the ever-resourceful sailor soon finds himself staring his mortality in the face.

A character study as well as a meditation on communication, creativity, and physical space, Take What You Can Carry is a picture of a young woman seen through the interiors she occupies and the company she keeps. A North American living abroad, Lilly aspires to shape an intimate and private place of her own while connecting to the world around her. When she receives a letter from home, it provides the conduit she needs to fuse her transient self with the person she’s always known herself to be.

Hell has come to the town of Burning Bush. The terms are due on a deal with the Devil made long ago. Now, the innocent must fight for their lives as the Devil tries to destroy everything and everyone in the town, and reap the souls he was promised.

A young Englishman plots revenge against his mysterious, beautiful cousin, believing that she murdered his guardian. But his feelings become complicated as he finds himself falling under the beguiling spell of her charms.

An ancient wind carries with it omens of the apocalypse, stirring the pride and envy of a group of college kids to murderous rage. Michael Mongillo’s directorial debut is a lyrical, meditative film charged with sex and violence.

Hope Williams, a successful ER doctor, reluctantly meets an accomplished artist on a girls night out. He is everything her past lovers were not, and he forces her to discover a side of her that she never knew existed. As Hope’s sexual life steams up, her work takes a turn for the worse when an abusive husband of a battered patient blames her for his misgivings. Soon, Hope’s personal life becomes entangled with her work life, and both are put at risk