The second film in Terence Davies’s autobiographical series (along with “Trilogy” and “The Long Day Closes”) is an impressionistic view of a working-class family in 1940s and 1950s Liverpool, based on Davies’s own family. Through a series of exquisite tableaux Davies creates a deeply affecting photo album of a troubled family wrestling with the complexity of love.

A lone Mountie has come to town to clean up the crime and corruption after finding an innocent man dead. As he sets up home, in town, he discovers endless amounts of illegal activity taking place behind closed doors. Once he uncovers the men behind the crimes he prepares to take them down one by one in the most vicious showdown this town has ever seen.