Frank Overton
Murphy goes after bad guys who shot his friend the sheriff and abducted a local girl. In a plot reminiscent of High Noon, the posse of town blowhards gradually abandons Murphy; only tenderfoot banker Saxon remains, to prove his manhood. When they find the girl, obviously abused by her captors, Murphy shows her acceptance and sympathy whereas the others disply only revulsion.
Because of a technical defect an American bomber team mistakenly orders the destruction of Moscow. The President of the United States has but little time to prevent an atomic catastrophe from occurring. Director Sidney Lumet gives an atmospheric vision of the future with a Cold War backdrop.
In a small Alabama town in the 1930s, scrupulously honest and highly respected lawyer, Atticus Finch puts his career on the line when he agrees to represent Tom Robinson, a black man accused of rape. The trial and the events surrounding it are seen through the eyes of Finch’s six-year-old daughter, Scout. While Robinson’s trial gives the movie its momentum, there are plenty of anecdotal occurrences before and after the court date: Scout’s ever-strengthening bond with older brother, Jem, her friendship with precocious young Dill Harris, her father’s no-nonsense reactions to such life-and-death crises as a rampaging mad dog, and especially Scout’s reactions to, and relationship with, Boo Radley, the reclusive ‘village idiot’ who turns out to be her salvation when she is attacked by a venomous bigot.
A young field administrator for the TVA comes to rural Tennessee to oversee the building of a dam on the Tennessee River. He encounters opposition from the local people, in particular a farmer who objects to his employment (with pay) of local black laborers. Much of the plot revolves around the eviction of an elderly woman from her home on an island in the River, and the young man’s love affair with that woman’s widowed granddaughter.
