The story about Gloria Wandrous, a promiscuous fashion model, who falls in love with Weston Liggett, the hard drinking son of a working class family who has married into money.

Karl Westover, an inexperienced farm boy, runs away after unintentionally killing a neighbor, whose family pursues him for vengeance. He meets Barbarosa, a gunman of near-mythical proportions, who is himself in danger from his father-in-law Don Braulio, a wealthy Mexican rancher. Don Braulio wants Barbarosa dead for marrying his daughter against the father’s will. Barbarosa reluctantly takes the clumsy Karl on as a partner, as both of them look to survive the forces lining up against them.

Young writer, Richard Collier is met on the opening night of his first play by an old lady who begs him to, “Come back to me.” Mystified, he tries to find out about her, and learns that she is a famous stage actress from the early 1900s. Becoming more and more obsessed with her, he manages – by self-hypnosis – to travel back in time where he meets her. They fall in love, a matching that is not appreciated by her manager. Can their love outlast the immense problems caused by their ‘time” difference, and can Richard remain in a time that is not his?

Boston is being terrorized by a series of seemingly random murders of women. Based on the true story, the film follows the investigators path through several leads before introducing the Strangler as a character. It is seen almost exclusively from the point of view of the investigators who have very few clues to build a case upon.

The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young Spanish-American is guilty or innocent of murdering his father. What begins as an open and shut case soon becomes a mini-drama of each of the jurors’ prejudices and preconceptions about the trial, the accused, and each other.