The holiday season has started and Molly Cooper (Laura Vandervoort) is looking for joy. Finally living her childhood dream, Molly swaps her quaint farmhouse for London Financier Patrick Kingston’s posh apartment. Through the ups and downs of her new life in London and searching for romance, Molly begins to look forward to all communication with Patrick. Likewise, Patrick finds Molly’s warm emails and texts charming and compelling. Sparks fly between them as they get to know each other as they live in each other’s spaces.
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Amidst the impersonal hubbub of Paris’ Orly Airport, strangers meet, secrets are revealed, and sudden intimacies develop in this beautifully observed mosaic of lives in transit.
A practicing Sikh is banned by the boxing commission for refusing to back down from his religious beliefs. Through racial profiling and stereotypical threats, he does what any strong American would do: fight back.
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An ex-CIA agent living in Indonesia tracks the arms dealer who killed her husband. Along the way, she meets a young boy and his grandfather, who teach her in the ways of the Lady Dragon.
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18 year old Lee (a spirited equestrian) and Jordan (an academic and football standout) are at the threshold of building a life together. But their character is tested when racial bias surfaces in their otherwise progressive small town.
A thriller set in New York City during the winter of 1981, statistically one of the most violent years in the city’s history, and centered on a the lives of an immigrant and his family trying to expand their business and capitalize on opportunities as the rampant violence, decay, and corruption of the day drag them in and threaten to destroy all they have built.
Moses and Kitch, two young black men, chat their way through a long, aimless day on a Chicago street corner. Periodically ducking bullets and managing visits from a genial but ominous stranger and an overtly hostile police officer, Moses and Kitch rely on their poetic, funny, at times profane banter to get them through a day that is a hopeless retread of every other day, even as they continue to dream of their deliverance.
Wind From the East is a product of Jean-Luc Godard’s involvement, during the late 60s and early 70s, with a collective filmmaking experiment known as the Dziga Vertov Group. The film is, typically of the films he made during this period, about ideas and simultaneously about how best to express those ideas through the medium of film. The film deals with the situation of a strike and, during its first half, methodically analyzes the different components of the strike: the workers, the radical students who encourage the strike while not quite being able to communicate in the same terms as the workers, the union delegates and other middlemen who preach moderation and compromise, the employers who demand the immediate resumption of work, the police state that suppresses the strike on behalf of capitalism.
Marcel Marx, a former bohemian and struggling author, has given up his literary ambitions and relocated to the port city Le Havre. He leads a simple life based around his wife Arletty, his favourite bar and his not too profitable profession as a shoeshiner. As Arletty suddenly becomes seriously ill, Marcel’s path crosses with an underage illegal immigrant from Africa, who needs Marcel’s help to hide from the police.