In a desperate attempt to reunite his broken family, a young taxi driver becomes entangled in the criminal underworld.

Joe Mazzello, best known for his acting roles in Jurassic Park, HBO’s The Pacific, The Social Network, etc, wrote and made his directorial debut with this story based on his brother’s experience as a collegiate baseball star who was skipped over in the Major League Baseball draft. Story centers around an intramural baseball game with his misfit teammates that becomes incredibly important to him as he tries to come to grips with his dashed dream.

“The Third Way of Love” tells the sad love story of Lin Qi Zheng, who is from a rich family, and Zhou Yu who is a smart and beautiful lawyer.

In the continuation of Popoy and Basha’s love story from “One More Chance,” we find the couple walking down the aisle and vowing to love each other “forever and ever.” “A Second Chance” explores realities and intricacies and Popoy and Basha’s married life. We find Popoy as a failed achiever, struggling to keep his business and self-esteem intact, while Basha has given up so much in her life to keep their marriage together.

After his father passes away at age 10, the lives of Luis Palau and his family are changed forever. Within a few years of his father’s death, Luis, his siblings, and his mother are left nearly destitute. Luis is forced to discontinue his education at an elite boarding school in Argentina and provide for his family as they slip into poverty.

Julie is a young tennis star who falls in love with his trainer – because she yearns for love and because she wants to liberate themselves from the ambitions which the father has on her behalf. Birgitte Hjort Sørensen has a conflict and fragile Juliet, and Rolf Hansen is the coach who tries to keep Julie from life. Other actors, Jesper Christensen as ambitious and indebted father, Trine Appel as the coach’s disdain fiance and Niels Skousen as a nightclub owner. “Julie” is a modern update of August Strindberg’s “Miss Julie”.

A trio of American adventurers marooned in rural Mexico are recruited by a beautiful woman to rescue her husband from Apaches.

A sheriff’s deputy fights an alternate universe version of himself who grows stronger with each alternate self he kills.

John James is a writer; his wife has left him. He moves with his two middle-school children to an isolated house off a dirt road in South Carolina. The property has an Indian burial mound, which fascinates his daughter, Louisa, who’s entering puberty.

Complete strangers stranded at a remote desert motel during a raging storm soon find themselves the target of a deranged murderer. As their numbers thin out, the travelers begin to turn on each other, as each tries to figure out who the killer is.

Derrick De Marney finds himself in a 39 Steps situation when he is wrongly accused of murder. While a fugitive from the law, De Marney is helped by heroine Nova Pilbeam, who three years earlier had played the adolescent kidnap victim in Hitchcock’s The Man Who Knew Too Much. The obligatory “fish out of water” scene, in which the principals are briefly slowed down by a banal everyday event, occurs during a child’s birthday party. The actual villain, whose identity is never in doubt (Hitchcock made thrillers, not mysteries) is played by George Curzon, who suffers from a twitching eye. Curzon’s revelation during an elaborate nightclub sequence is a Hitchcockian tour de force, the sort of virtuoso sequence taken for granted in these days of flexible cameras and computer enhancement, but which in 1937 took a great deal of time, patience and talent to pull off. Released in the US as The Girl Was Young, Young and Innocent was based on a novel by Josephine Tey.

With his 20th reunion looming, Dan can’t shake his high school insecurities. In a misguided mission to prove he’s changed, Dan rekindles a friendship with the popular guy from his class and is left scrambling to protect more than just his reputation when a wild night takes an unexpected turn.