Hyeong-Do (So Ji-Sub) is an assassin for a company that masquerades as a metal trading company. One day, he takes on a job partnering with a man Hyun-Yi, who is he is to kill afterwards. Hyun-Yi asks a favor to Hyeong-Do which is to give money to his family. Hyeong-Do visits Hyun-Yi’s home where he meets Hyun-Yi’s wife Su-Yeon (Lee Mi-Yeon). Su-Yeon is a former singer whom Hyeong-Do admired in the past. Guilt, an unknown feeling up to this point for Hyeong-Do, begins take over Hyeong-Do.
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Rejected by her friends, harassed by the police, and dismissed by the medical profession, a determined Mia forces herself to attend a residential alternative therapy training, led by Franklin Spitz, a British celebrity therapist who specialises in resolving the causes of PTSD. Using increasingly provocative psychological techniques, he probes Mia for the hidden memories underlying her condition. But the goals of therapist and client are widely divergent – Mia is searching for reality and Franklin is desperately trying to avoid it.
Englishman Robinson Crusoe, stranded alone on an island for years, is overjoyed to find a fellow man, a black islander whom he names Friday. But Crusoe cannot overcome the shackles of his own heritage and upbringing and is incapable of seeing Friday as anything other than a savage who needs Crusoe’s brand of cultural and religious enlightenment. Friday attempts to share his own more generous and unashamed culture, but ultimately realizes that Crusoe can never see him as anything but an inferior being. With that awareness, Friday sets out to turn the tables on Crusoe.
In 1600, nobleman Orlando inherits his parents’ house, thanks to Queen Elizabeth I, who commands the young man to never change. After a disastrous affair with Russian princess Sasha, Orlando looks for solace in the arts before being appointed ambassador to Constantinople in 1700, where war is raging. One morning, Orlando is shocked to wake up as a woman and returns home, struggling as a female to retain her property as the centuries roll by.
When young and successful reporter Jamie finds out that her sister has died in mysterious circumstances, she travels to Singapore to uncover the truth. There, she discovers multiple deaths linked to her sister’s and must join forces with her sister’s husband in order to defeat a demonic entity that is using new technology to complete an ancient mission.
Entirely shot on green screen, Shakespeare’s Macbeth has been reinvented by director Kit Monkman (The Knife That Killed Me) in an exciting new film adaptation. Starring Mark Rowley, (The Last Kingdom, Luther). Monkman’s unique adaptation successfully bridges the gap between theatre and film to create a wholly new type of imaginative space. This radical new adaptation puts the audience’s engagement with the story centre-stage, amplifying the theatrical context of the original and creating truly innovative and thrilling cinematic vistas, whilst maintaining the language and themes of Shakespeare’s original play. Using background matte painting and computer modelling to generate the world in which the action plays out, the green screen allows Monkman to create his vision of a multi-tiered globe in which the characters play out their various fates.