Jimmy Price is a reckless man-child on the last leg of his career as a doubles tennis player. When his latest partner drops him, he realizes he’s officially burned all of his bridges on the pro circuit. He decides to make one last ditch effort to revive his career, reaching outside of the tennis world and convincing his childhood partner — his estranged brother Darren, now an apathetic substitute teacher – to team up with him. The mismatched pair, with the help of a unique 11-year-old named Barry, make an unlikely run at a grand slam tournament and are forced to re-discover their game, and their brotherhood.
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Ritchie is a Glaswegian chancer with low hopes and no prospects. Disillusioned with city life, he goes undercover at a Highland conservation centre to make his fortune as an illegal pearl fisher with the help of his two hapless and accident prone mates, Danny and Fraser. Here he meets Beth, a pretty English conservationist passionate about saving endangered mussels from the clutches of pearl thieves in the Scottish Highlands. Falling for her instantly, Ritchie must beat off competition in the form of Highland Ranger Ethan, a smooth talking American Adonis convinced that Beth can’t resist his charms forever. After the success of pearl fishing attracts the unwanted attentions of old school Glaswegian mobster Gavin and his work at the centre leads him to question his true motivations, Ritchie must risk life and limb to save the Highlands from ecological disaster and win Beth’s heart…
“Made In Romania” is the story of a producer who is given the chance to realize his dream project; to film an adaptation of an obscure, beautifully written Victorian novel, “The Tides of Reason”. Disillusioned after years of making low budget genre films, the producer readily accepts the demands of his less than legitimate financiers. Namely, the production be filmed entirely in Romania to take advantage of a complicated and slightly suspicious tax deal. Shot in documentary style, this behind-the-scenes comedy deftly and inexorably exposes the painful reality of runaway film production. Way off the radar in deepest, darkest, rural Romania the hopelessly disconnected production veers swiftly off the tracks as bizarre personalities, cultural, economic and language issues quickly combine to send the production spiraling into hysteria. Written by Neil Monaghan
This year, Santa’s daughter (Maria Thayer) takes her first trip away from the North Pole during the Christmas season hoping to find adventure and love in sunny California. While Santa watches his daughter through a magic snow globe, Annie arrives in L.A. and becomes friends with the owner of Candy Cane Inn, Lucy (Vivica A. Fox), and her daughter, Mia (Nay Nay Kirby). She also quickly lands a job at Wonderland Toys. Wonderland Toys’ owner, Ted (Sam Page) is struggling to stay in business selling old-fashioned toys in a digital world. Annie soon realizes that she wants Ted’s business to thrive because she has feelings for this Christmas traditionalist.
Banksy is a graffiti artist with a global reputation whose work can be seen on walls from post-hurricane New Orleans to the separation barrier on the Palestinian West Bank. Fiercely guarding his anonymity to avoid prosecution, Banksy has so far resisted all attempts to be captured on film. Exit Through the Gift Shop tells the incredible true story of how an eccentric French shop keeper turned documentary maker attempted to locate and befriend Banksy, only to have the artist turn the camera back on its owner.
The final installment of the Back to the Future trilogy finds Marty digging the trusty DeLorean out of a mineshaft and looking up Doc in the Wild West of 1885. But when their time machine breaks down, the travelers are stranded in a land of spurs. More problems arise when Doc falls for pretty schoolteacher Clara Clayton, and Marty tangles with Buford Tannen.
Ex-policeman Rollo Lee is sent to run Marwood Zoo, the newly acquired business of a New Zealand tycoon. In order to meet high profit targets and keep the zoo open, Rollo enforces a new ‘fierce creatures’ policy, whereby only the most impressive and dangerous animals are allowed to remain in the zoo. However, the keepers are less enthusiastic about complying with these demands.