Fiona visits Paris for the first time to assist her myopic Aunt Martha. Catastrophes ensue, mainly involving Dom, a homeless man who has yet to have an emotion or thought he was afraid of expressing.

3 of Reagan High School’s most popular girls pretend to kidnap their friend by shoving a jawbreaker into the victim’s mouth to keep her from screaming. Their plan goes awry when the girl swallows the jawbreaker, choking to death. Now the leader of the pack will do anything to keep the accident a secret.

Teddy thinks he has all the time in the world, but after an odd encounter with a stranger, he wakes up the morning after his wedding to discover that he’s jumped forward a year in his life to his first anniversary. His wife Leanne is now heavily pregnant, with a full year of marriage behind them that he doesn’t remember living. Trapped in a cycle of time jumps, transported another year ahead every few minutes, Teddy is faced with a race against time as his life crumbles around him.

Men and boys learn together what it takes to be a man.

Kozo Nakase (Masahiko Tsugawa) attends meetings for single widowers looking to remarry. He meets Sayoko Takeuchi (Shinobu Otake) and eventually marries her. Not longer after their marriage, Kozo Nakase suddenly collapses and dies. Kozo Nakase leaves everything to Sayako. The rest of his family are left out of his will including his daughter Tomomi (Machiko Ono). Tomomi hires a private investigator, Honda (Masatoshi Nagase), to find out more about Sayoko.

When Quinn, a grouchy pilot living the good life in the South Pacific, agrees to transfer a savvy fashion editor, Robin, to Tahiti, he ends up stranded on a deserted island with her after their plane crashes. The pair avoid each other at first, until they’re forced to team up to escape from the island — and some pirates who want their heads.

A truly mad concoction, blending 1950s juvenile delinquents, sci-fi melodrama, song-and-dance, and a touch of horror, everything in just the right combination to create an engaging big screen spectacle! This curious and curiously entertaining story involves one Jonathan Xavier and his devoted misfit gang who, incidentally, have been exiled to Earth from the far reaches of outer space. Johnny’s former girlfriend Bliss has left him and stolen his Resurrection Suit, a cosmic, mind-bending uniform that gives the owner power over others. Along the way, there will be several highly stylized musical numbers, lots of genuinely humorous dialogue, and a wacky plot-twist or two, all beautifully captured on the very last of Kodak’s black-and-white Plus-X film stock.

Cassie Nightingale (Bell) finds herself with only days to plan her stepson Brandon’s (Knight) wedding to Tara (Leggat) when the happy couple unexpectedly pushes up the date for their big day. Meanwhile, Martha (Disher), the newly elected mayor of Middleton has roped her into chairing the silent auction to raise much-needed funds for her pet project, the Middleton Botanical Gardens. Audrey (Wilson), a new arrival in town, pops in to Cassie’s store Bell, Book & Candle and the two instantly bond. Needing help in the store, Cassie immediately hires Audrey as her new store associate and she even pitches in and helps Cassie organize the auction. But, Audrey is hiding a secret past and suspicions start to swirl around her when the donated auction items are missing. With the use of her “special” powers – as well as some teamwork by the Mayor and Jake (Potter), her husband and local Chief of Police – Cassie hopes to conjure up the truth before it’s too late.

Archie (John Rhys-Davies) is a God on a mission to ensure that true love always wins. Or, short of that, that someone is going to die trying. Not that he particularly cares which outcome it is. That’s Archie’s “Bad Cupid” approach to romance and beware anyone who gets in his way, especially anyone he’s actually trying to help.

The hero Fong Sai Yuk becomes involved in the secret brotherhood “The Red Flower”, who are trying to overthrow the Manchurian emperor and re-establishing the Ming dynasty. The social upheaval is combined with Sai Yuk’s personal moral conflict about how to conform to the rigid regime of the brotherhood and on top of that sort out his difficult love life, saddled with two presumptive wives.

An imaginative teenage girl, living in a mystical and dangerous community built on a deserted drive-in movie lot along the Texas/Oklahoma border, struggles to realize her potential, and escape the world she was born into.

A road trip to Kolkata brings Piku, an architect, closer to her ageing but nagging father Bhaskor Banerjee despite their disparate ideologies and fights over trivial issues.