The hero Fong Sai Yuk becomes involved in the secret brotherhood “The Red Flower”, who are trying to overthrow the Manchurian emperor and re-establishing the Ming dynasty. The social upheaval is combined with Sai Yuk’s personal moral conflict about how to conform to the rigid regime of the brotherhood and on top of that sort out his difficult love life, saddled with two presumptive wives.
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High Noon is about Will Kane, the sheriff of a small town in the New Mexico Territory, who learns a notorious outlaw he put in jail has been freed, and will be arriving on the noon train. Knowing the outlaw and his gang are coming to kill him, Kane is determined to stand his ground. He attempts to gather a posse from among the local townspeople.
After he’s grounded by an injury, a high-flying bachelor is saddled with two wide-eyed orphans as they come face-to-face with the dangers and beauty of the outside world.
In the 21st Century, cybernetic research has developed advanced robots with human traits, whioch are widely used in the service industry. They have also been turned into cyber cops with a licence to kill….
A brilliant doctor on a quest for revenge buys a young woman and trains her to be the ultimate assassin, implanting gun parts in her body that she must later assemble and use to kill her target before she bleeds to death.
A single mother, with dreams of becoming a writer, has a son at the age of 15 in 1965, and goes through a failed marriage with the drug-addicted father.
A man is tasked with driving his embittered 80-year-old father-in-law cross country to be legally euthanized in Oregon, while along the way helping him rediscover a reason for living.
Bruce Nolan toils as a “human interest” television reporter in Buffalo, N.Y. Despite his high ratings and the love of his beautiful girlfriend, Grace, Bruce remains unfulfilled. At the end of the worst day in his life, he angrily ridicules God — and the Almighty responds, endowing Bruce with all of His divine powers.
John Milius’s jingoistic direction and pulpy screenplay fit perfectly into this film version of the Robert E. Howard fantasy story of the sword and sorcery hero, Conan the Barbarian. The story begins when a horde of rampaging warriors massacre the parents of young Conan and enslave the young child for years on The Wheel of Pain. As the sole survivor of the childhood massacre, Conan is released from slavery and taught the ancient arts of fighting. Transforming himself into a killing machine, Conan travels into the wilderness to seek vengeance on Thulsa Doom (James Earl Jones), the man responsible for killing his family. In the wilderness, Conan takes up with the thieves Valeria (Sandahl Bergman) and Subotai (Gerry Lopez). The group comes upon King Osric (Max Von Sydow), who wants the trio of warriors to help rescue his daughter who has joined Doom in the hills.
The new guy (James Spader) in a Los Angeles high school does some singing and fights a hotshot (Paul Mones) over a disco dancer (Kim Richards).
Frank is a man who thinks he has lost everything, until his house is destroyed by a tornado. Then when he goes to the insurance company, he’s told they won’t pay because the damage falls under the “Act of God” exclusion in his policy. With nothing left, and nothing left to lose, he decides to sue God himself for damages, naming representatives of the world’s religions as defendants in the suit. What starts as a ridiculous stunt, becomes a beautiful, funny, soulful odyssey in which he rediscovers that love itself… requires a leap of faith.
Penny and her family are lured on an all expenses paid vacation where a mad scientist captures them, refusing to let them go because Oscar won’t reveal his on of his secret Proud Snacks formulas.
