Vic and Melinda Van Allen are a couple in the small town of Little Wesley. Their loveless marriage is held together only by a precarious arrangement whereby, in order to avoid the messiness of divorce, Melinda is allowed to take any number of lovers as long as she does not desert her family.
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Seven friends – three women and four men – meet for dinner. Everyone should put their cell phone on the table. No matter what message comes in – anyone can read it and listen to the phone calls. However, this leads to a lot of chaos.
This twisted Iranian narrative follows a mysterious couple from Tehran as they distribute large bags of money in an impoverished mountain border town. Beginning as a black comedy, the film’s mood transforms as the games played by Kaveh (director Mani Haghighi) and Leyla (Taraneh Alidoosti) become increasingly perverse, as they find inventive ways of humiliating the recipients of the cash. The immorality of the central characters is at times sickening, and their chain of lies is often as puzzling to us as they are to the townsfolk depicted onscreen. What is the relationship between the pair and why are they giving away money to the needy? Modest Reception has no easy answers nor pat resolutions – instead Haghighi takes the viewer on an intriguing ride into the dark recesses of the human spirit.
Orhan Pamuk – Turkey’s Nobel laureate for Literature – opens a museum in Istanbul. A museum that’s a fiction: its objects trace a tale of doomed love in 70’s Istanbul. The film takes a tour of the objects as the starting point for a trip through images, landscapes and the chemistry of the city. A film about Istanbul, love, memory and loss.
A dynamic killer thriller with its finger firmly on the pulse of stark social commentary and shattering suspense. Recently widowed mother of two Sarah is desperate to know who murdered her husband in front of her young son, rendering him mute. Coerced into helping a low-life drug dealer stash narcotics stolen from the local Mr Big, she’s forced into taking drastic action to protect her children, evolving from downtrodden submissive to take-charge vigilante.
Young single mother Diana struggles to provide for her child and pay for her college education. She ends up working at a shoe store, but meets two strippers from at a nearby gentlemen’s club who convince her there’s fast money to be made stripping. At the Players Club, however, Diana faces danger and heartbreak.