Eugene, a man dealing with the tragedy of his family’s death by living at the vacation cabin that they last stayed, discovers he’s completely snowbound. During Eugene’s desperate attempts to dig himself out, he discovers he’s not alone.
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Duke Red has overseen the construction of a massive Ziggurat to extend his power across the whole planet. Tima, a robot-girl built in the image of his deceased daughter, is at the core of these plans. However, after escaping the Duke’s clutches in a laboratory fire, she meets and befriends Kenichi, a boy who’s traveled to Metropolis with his detective uncle in search of a scientist wanted for organ trafficking. Will her relationship with Kenichi, and the realization of the truth of her existence, change her destiny?
This English-language adaptation of the Swedish novel by Stieg Larsson follows a disgraced journalist, Mikael Blomkvist, as he investigates the disappearance of a weary patriarch’s niece from 40 years ago. He is aided by the pierced, tattooed, punk computer hacker named Lisbeth Salander. As they work together in the investigation, Blomkvist and Salander uncover immense corruption beyond anything they have ever imagined.
In the suburbs of Tokyo some time ago, there lived a clumsy boy about 10 years old. There appeared in front of him named Sewashi, Nobita’s descendant of four generations later from the 22nd century, and Doraemon, a 22nd century cat-type caretaker robot who helps people with its secret gadgets. Sewashi claims that his family is suffering from the debts Nobita made even to his generation, so in order to change this disastrous future, he brought along Doraemon as Nobita’s caretaker to bring happiness to his future, although Doraemon is not happy about this. And so Sewashi installed an accomplishment program into Doraemon forcing him to take care of Nobita. Unless he makes Nobita happy, Doraemon can no longer go back to the 22nd century. This is how the life of Doraemon and Nobita begins. Will Doraemon succeed this mission and return to the 22nd century?
Having finally secured her first assignment from her family’s demolition business, Sam Walczak (Mischa Barton) is sent to supervise the destruction of an apartment house, only to discover a group of tenants still living in the condemned building. One such tenant, Jimmy (Cameron Bright), tells Sam an urban legend about a serial murderer who used to live in the building and entomb his victims in the walls. What’s worse, the dead are believed to still harass the residents to this day.
In a small Mississippi town in 1916, an eccentric spinster battles her romantic yearnings for the randy boy next door. A 1961 film, adapted from a Tennessee Williams play, starring Geraldine Page, Laurence Harvey, John McIntire, Una Merkel and Rita Moreno.
After breaking up with her long-term boyfriend just before the holidays, passionate baker Kylie reconnects with her high school sweetheart, Nick. Thanks to their newly rekindled friendship, Kylie uses Nick’s restaurant to prepare for a gingerbread baking competition with a large cash prize that would help her open her own bakery.
Gemma and Will are shattered when their son dies in an accident. Gemma blames herself and starts to have panic attacks that affect her eyesight – and the audience’s point of view. Will, tormented, believes he is hearing his son’s voice calling out to him. To escape their grief, Gemma suggests they take up Paul’s offer to stay at his Lake District country getaway. Gemma’s, helped by ex-pharmacist Paul, tries to stop her panic attacks with medication. Will, unable to hear to his son in his bedroom back home, antagonizes Paul and suddenly goes home. Gemma is now reliant on Paul who appears to be developing genuine feelings for her welfare. Love, grief, and the frailty of the human condition are all brought to the fore as Gemma Will and Paul are caught up in a descent into violence, both psychological and ultimately physical.