When Stargirl’s mother is hired as the costume designer on a movie, they relocate to L.A., where Stargirl quickly becomes involved with an eclectic assortment of characters.
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Lana (17) is a girl from an average Zagreb family. She‘s getting ready to spend the night with her boyfriend Igor (25). On their way to the concert they decide to make love in a taxi owned by Igor‘s friend. This should‘ve been Lana‘s first time. Things went wrong when their intimate encounter got interrupted by the noises from another taxi. There was a robbery and attempted murder going on. Lana wanted to stop their love game, but Igor has forced her to continue. Lana ran away from him and met Irena (17) in a nightclub, a troubled girl who‘s been spending the night in search for drugs. A series of circumstances join Lana and Irena together while they wander the city.
Doug, a dorky young mamma’s boy, who is about to get married to his beautiful bride, Callista, when he notices a change come over her. He catches her sneaking around at night and lying to him, and she’s begun to display flu-like symptoms. So naturally Doug thinks she caught a disease while cheating on him. In reality she has become possessed via an ancient stone and she’s been eating his friends and family without him knowing.
In this direct-to-video sequel to Pokémon: The First Movie, Ash, Misty, and Brock continue exploring the Johto region, then have to rescue Pikachu after Jessie and James of Team Rocket kidnap him. The search leads them to the hidden plateau where Mewtwo has established a haven for the cloned Pokémon from the previous film. The evil Giovanni is plotting to recapture Mewtwo and renew his efforts to create an army of bio-engineered Pokémon. Aided by the reluctant Meowth, Ash and his friends defeat Giovanni and his henchman.
Rusty Wittenburg is a Navy SEAL struggling to balance his family life and his job. He fights daily to maintain the line between reality and the nightmares his PTSD conjures up for him. Dedicated to his team and his mission, he is willing to give the ultimate sacrifice for his fellow brothers and teammates.
A monotonous life has pushed the unfulfilled Forrest (Todd Blubaugh) to a voyage of self-discovery by living aboard his sailboat on an alluring, Missouri lake. Soon he catches wind of the rebellious and free-spirited Everly (Nicola Collie) and their idealistic dreams align for a thrilling and thought-provoking, romantic adventure. Can they survive, reconnect with nature and rewrite their own rules of modern existence, or will they discover that society operates the way it does for a reason?
Eleven articulate people work through affairs of the heart in L.A. Paul produces Hannah’s TV cooking show. Mark is dying of AIDS. Men have scalded Meredith so she rebuffs Trent’s charm, but he persists. The trendy, prolix Joan tries to pull the solitary Keenan into her orbit. An adulterous couple meet at hotels for evening sex. Hugh tells tall tales, usually tragic, to women in bars.
Hanna teams up with her sister and counterculture friends to create a parody romance on Instagram between herself and young actor Ekku. Hanna starts living a crowd-pleasing love story for the public, only to find herself tangled up in the unresolved past with her “you were never my boyfriend” friend Lasse, who also happens to be the real-life co-writer and cinematographer of Fucking with Nobody. Fiction and auto-fiction crash and melt into each other, as writer-director Hannaleena Hauru plays the lead role of an ever-single film director Hanna.
On September 1st, 1939, Nazi Germany invades Poland, unleashing World War II. On September 17th, the Soviet Red Army crosses the border. The Polish army, unable to fight on two fronts, is defeated. Thousands of Polish men, both military and government officials, are captured by the invaders. Their fate will only be known several years later…
Mock documentary about an upstart candidate for the U.S. Senate written and directed by actor Tim Robbins. Bob Roberts is a folksinger with a difference: He offers tunes that protest welfare chiselers, liberal whining, and the like. As the filmmakers follow his campaign, Robbins gives needle-sharp insight into the way candidates manipulate the media.