The film discusses the traits and originators of some of metal’s many subgenres, including the New Wave of British Heavy Metal, power metal, Nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture.
You May Also Like
Daughters of the Sexual Revolution is the never-before-told story of Suzanne Mitchell, the fiercely-loyal den mother of the original Dallas Cowboys Cheerleaders.
U2, Talking Heads, Depeche Mode, Blondie, Duran Duran, Tears for Fears, The Clash, The Cure: Over half a billion records sold but you may never have heard of them if not for a small suburban radio station on Long Island, NY: WLIR. In August, 1982, a small group of radio visionaries knew they couldn’t compete with the mega-stations in New York City. With one brave decision, they changed the sound of radio forever. Program Director Denis McNamara, the ‘LIR crew and the biggest artists of the era tell the story of how they battled the FCC, the record labels, mega-radio and all the conventional rules to create a musical movement that brought the New Wave to America.
Salt-N-Pepa details the journey of Queensborough Community College students Cheryl “Salt” James and Sandra “Pepa” Denton as they enter the world of rap and hip hop, after recording a song for their friend Hurby Azor. Salt-N-Pepa made a huge impact as one of the first all-female rap groups, changing the look of hip hop and being unafraid to talk about sex and share their thoughts on men. The movie follows the group as they become the first female rap act to go platinum and experience ground-breaking success with multiple awards, including a Grammy award – paving the way for all female rappers to follow. The film will feature performances of Salt-N-Pepa’s greatest hits, including: “Let’s Talk About Sex”, “What a Man”, “Shoop” and “Push It”. The movie stars GG Townson as Cheryl “Salt” James, Laila Odom as Sandra “Pepa” Denton, Cleveland Berto as music producer “Hurby Azor,” Jermel Howard as rapper “Treach” and Monique Paul as “DJ Spinderella.”
Another super polished, overly produced debacle. Delivering the gnarliest skateboarding from this year’s new breed of rippers: Jamie Foy, Chase Webb, Carlos Iqui, Michael Pulizzi and Cody Lockwood. “If anyone knows where the end of the Earth is, can they take us there?”
Nicholas Vreeland walked away from a worldly life of privilege to become a Tibetan Buddhist monk. Grandson of legendary Vogue editor, Diana Vreeland, and trained by Irving Penn to become a photographer, Nicholas’ life changed drastically upon meeting a Tibetan master, one of the teachers of the Dalai Lama. Soon thereafter, he gave up his glamorous life to live in a monastery in India, where he studied Buddhism for fourteen years. In an ironic twist of fate, Nicholas went back to photography to help his fellow monks rebuild their monastery. Recently, the Dalai Lama appointed Nicholas as Abbot of the monastery, making him the first Westerner in Tibetan Buddhist history, to attain such a highly regarded position.
Yehudi Menuhin was the 20th century’s greatest violinist. He was a child prodigy but the man behind the violin was harder to know. Endlessly touring and crossing continents and cultures, his contract with EMI was the longest in the history of the music industry. He took classical music out of the concert hall because he believed music was for everyone and had the power to change lives. An impassioned idealist, Yehudi wanted to give more to the world – he became a tireless fighter for humanitarian issues he believed in. In this film, commemorating the 100th year of his birth, family and close friends recall his extraordinary musical life, in which he embraced jazz and Indian ragas as much as Bach, Beethoven and Bartok. And incredible home movies take us on an intimate behind-the-scenes journey from his childhood in California, to meeting gypsies in Romania and travelling to India and beyond.