Archive
Mone, Kechon, Chiffon, Younapi and Chibo are ordinal women. They work at a cleaning company. The CEO of the company is a woman and she is like a devil. The 5 working girls have boring days. One day, they go to a place in the middle of the forest to clean up. There, they find a dead body of a beautiful girl. The girls raise the beautiful girl from the dead by imitating a ritual of a Norwegian black metal band.
Azusa (Anna Ishii) and Narumi (Fuka Koshiba) are 2nd grade high school students. They lack confidence and also any kind of ambitions. Hazuki (Karin Ono), Tamaki (Mika Akizuki) and Mika (Miku Uehara) are also unnoticed students at the same high school. These five girls form a dance club and begin to dance to get credits. They soon learn the joys of dancing and also learn to express themselves.
A teacher, haunted by the death of her husband, returns to her childhood home to care for her ill mother. But as her mother’s dementia deepens, dark secrets tumble out, including a family secret that will turn her life upside-down forever.
The theme of the film is tribute to the single screen cinema halls that are rapidly becoming rare in India. Pranabendu Das is a retired film exhibitor from a small-town in West Bengal. He owns a movie theatre ‘Kamalini’ named after his separated wife. With the advancement of technology and the arrival of the digital medium, this man was compelled to let go of his theatre which projected films only on celluloid. Prakash is unperturbed by his father, Pranab’s condition. He is an opportunist, who would never give morality a chance while making himself an established businessman. He sells pirated DVDs of feature films in the town. This is a father-son relationship tale weaved through the beautiful backdrop of cinema. Pranab has always maintained himself as a true Cinemawala, whereas, Prakash is also spreading films among the people, but in a way not so acceptable to his father.
Feature length documentary about the story behind the pioneering and influential British heavy metal band as they enter the studio to record their new album.
A criminal swaps his body with that of the cop who is hunting him.​
A group of deadly assassins kidnap a hostage in the hope of getting a high ransom but when they manage to lose themselves in a forest and end up spending the night in a haunted house they manage to disrupt the plans of the ghosts to descend to heaven. The assassins hatch a plan to solve the problem but in doing so reveal themselves to be incompetent, so the ghosts decide to give them some training themselves…
After his brother is killed in battle before his coronation, young king Henry V is coronated in the late 1300s. The reluctant ruler wears the crown at a time when England was near a war with France, and the empire is teetering.
DIE EXPATS explores love, loss and lust, identity and modern relationships. It is a story of four people in search of reclaiming a sense of self while navigating the knotted, overlapping space they occupy. When said space begins closing in around them, they realize the only way to get out, and not be squashed by it, is to examine their own intentions, and be willing to let go of the past, and each other. The saying goes, people come to Berlin to find what they want; but for this group, Berlin is the bearer of disillusionment. Perhaps in finding out what they don’t want, Vivian, Nate, Sienna and Andreas finally uncover what it is they each truly need.
Johnny Cash appears in and narrates this version of the story of Jesus’ life, death and resurrection.
Semi-documentary, focusing on the training young boys receive before they are sent down the mines on their first job.
An idealistic cop and an ambitious scientist-businessman indulge in a high-stake battle of wits.
In the summer of 2015, former US Marine and world record weightlifter Matt “Kroc” Kroczaleski was publicly outed as being transgender. The reaction was universal: her sponsors abandoned her, she was disowned by her parents, banned from competing, and she changed her name to “Janae”. This film follows Janae as she attempts to find her place in society. Initially wanting to strip off the muscle and become a much smaller looking woman, she found herself unable to lose the muscle she so desperately gained. She now finds herself living one day as an alpha male and the next day as a delicate girl. Will Janae be able to handle her muscle relapses? Will her passage from being a male bring her the peace she’s looking for? Will society accept a 250lbs muscular woman? Is her path personal redemption or physical and psychological disaster?
Built upon a 14 hour interview, McKellen: Playing the Part is a unique journey through the key landmarks of McKellen’s life, from early childhood into a demanding career that placed him in the public eye for the best part of his lifetime. Using an abundance of photography from McKellen’s private albums and cinematically reconstructed scenes, a raw talent shines through in the intensity, variety and devotion to that moment in the light.
Not long ago the people of an unnamed country were involved in a civil war. After the armistice, both sides noticed hundreds of bodies unaccounted for. Looking through their land, there was discovered a place where men would vanish from sight. Those who returned spoke of a zone governed by cruel logic. This place, dubbed The Ulterior, was closed off and a guard was placed at its entry. The curious have found their way to its borders believing it holds healing properties and that it can reunite the living and the dead.
Tetsuo Togami (Shono Hayama) is in the 2nd grade of high school. Due to a fight, he is hospitalised. There, he meets Maiko Takashiro (Chika Arakawa). She has an incurable disease. She also has a hearing disability and is unable to talk. At first, Tetsuo becomes embarrassed, but begins exchanging text messages with Maiko. Through the text messages he begins having feelings for her. Even after his discharge from the hospital, he goes to visit Maiko everyday. They promise to go out together on Maiko’s birthday, but her condition worsens.
“After walking out of her wedding for a sandwich, Beatrice decides to take a rest at the Stratford Home for Rest and Rehabilitation. Beatrice soon realizes that if she wants to get out, she’ll need a plan and the help of her unusual cohorts. An award-wining feature length comedy inspired by the women of Shakespeare.”
