A recently married scholar goes on a quest for knowledge of other people’s wives, based on his philosophical differences with the Sack Monk. He encounters the Flying Thief, who agrees to help him find women, but only if he attains a penis as big as a horse’s. The scholar has a surgeon attach said unit, and he’s off and running on his mission, only to find that there are obstacles to his new lifestyle, such as jealous husbands and treacherous females.
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Reeling from his mother’s death and his father’s abandonment, Zach, an All-State athlete, finds glory on the football field, working to earn a college scholarship and the brothers’ ticket out of town. When a devastating injury puts Zach—and his dreams—on the sidelines, David laces up his track cleats to salvage their future and point Zach toward hope.
FMGG’ is a romantic-comedy story revolving around an aspiring actor ‘Jassi’ (Roshan Prince) who dreams of making a movie and launch himself as a ‘hero’. So that he could get to marry his love of life ‘Roop’ (Bhanushree Mehra) and to fulfill his dreams, he starts doing immoral activities and makes quick-money by creating dramas.
During one such ‘drama’, he ends up breaking the marriage of ‘Geet’ (Japji Khaira) and incidentally gets married to her forcefully by the village community… And now he has “Two” girls in his life…
Will he end up with his love or his unexpected life partner?????
A nurse, a paramedic, a gymnast and her coach offer a service for hire wherein they stand in for dead people by appointment, hired by relatives, friends or colleagues of the deceased, to assist with the grieving process.
Writer/director/star Alex Karpovsky, a familiar face to indie filmgoers, reveals his sterling comic chops in this close-to-the-bone comedy. Teasing the line between fiction and reality, he plays an indie filmmaker named Alex Karpovsky who, dumped by a longtime girlfriend fed up with his refusal to marry, takes to the road with a reluctant old pal for a misbegotten mini tour screening his movie on college campuses and independent cinemas.
An intimate story of the enduring bond of friendship between two hard-living men, set against a sweeping backdrop: the American West, post-World War II, in its twilight. Pete and Big Boy are masters of the prairie, but ultimately face trickier terrain: the human heart.
Publisher, Will Atenton quits a lucrative job in New York to relocate his wife, Libby and their daughters to a quaint town in New England. However, as they settle into their home the Atentons discover that a woman and her children were murdered there, and the surviving husband is the town’s prime suspect. With help from a neighbor who was close to the murdered family, Will pieces together a horrifying chain of events.
After a painful breakup, Leah seems to meet the perfect guy. But she soon discovers his violent side that disrupts her life.
As the police launch a full-scale crackdown on organized crime, it ignites a national yakuza struggle between the Sanno of the East and Hanabishi of the West. What started as an internal strife in Outrage has now become a nationwide war in Outrage Beyond.
John Milius’s jingoistic direction and pulpy screenplay fit perfectly into this film version of the Robert E. Howard fantasy story of the sword and sorcery hero, Conan the Barbarian. The story begins when a horde of rampaging warriors massacre the parents of young Conan and enslave the young child for years on The Wheel of Pain. As the sole survivor of the childhood massacre, Conan is released from slavery and taught the ancient arts of fighting. Transforming himself into a killing machine, Conan travels into the wilderness to seek vengeance on Thulsa Doom (James Earl Jones), the man responsible for killing his family. In the wilderness, Conan takes up with the thieves Valeria (Sandahl Bergman) and Subotai (Gerry Lopez). The group comes upon King Osric (Max Von Sydow), who wants the trio of warriors to help rescue his daughter who has joined Doom in the hills.
It is Midsummer’s Eve and ten people are on a deserted castle for a TV recording. The next morning the program leader is shot dead. Kvällspressens Annika Bengtzon a mandate to monitor the murder, but she soon learns that her best friend Anne Snapphanevägen is one of the ten suspects. When the police released all one after another – all except Anne – it becomes personal for Bengtzon who will do anything to exonerate her friend.
Ayar, a first-generation American Latina, returns home to reunite with her daughter. But when her mother, Renata, refuses to let her see her due to Covid, Ayar is confronted by the many roles she’s been forced to play, including the role in this film.
