When an outlaw is captured and scheduled to hang, the wife of the local deputy makes a decision that will forever change her life. Mabel is in love with the arrested man. Will she remain loyal to her husband Jonathan or follow her heart?
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The Insane Clown Posse heads back to the Wild West in this prequel to BIG MONEY HUSTLAS. Nothing happens in the dusty town of Mud Bug without the approval of gambling magnate Big Baby Chips (Violent J), and the locals turn and run when his henchmen come out to play. But when swaggering sheriff Sugar Wolf (Shaggy 2 Dope) teaches the locals to fight back, Big Baby Chips and his gang head for the hills in a hail of gunfire.
At the end of the Civil War, Frank and Jesse James and other former guerillas who rode with Quantrill and Bill Anderson take the oath of allegiance to the Union. Feeling oppressed by Chicago railroad investors, the James and Younger brothers, Bob and Charlie Ford, Clell Miller and Arch Clements take to robbing banks, trains and coaches, with Pinkerton sworn to bringing them to justice.
High Noon is about Will Kane, the sheriff of a small town in the New Mexico Territory, who learns a notorious outlaw he put in jail has been freed, and will be arriving on the noon train. Knowing the outlaw and his gang are coming to kill him, Kane is determined to stand his ground. He attempts to gather a posse from among the local townspeople.
A couple of two-bit thieving brothers try and keep a promise to their dying father: stick together and become successful outlaws. Bambino reluctantly agrees to show younger Trinity the ropes, but their gentle demeanors tend to diminish their haul by repeatedly helping the selfsame family they initially held up. Fun ensues in town and at the local Spanish mission where they are taken for federal agents, mistakenly so identified by Trinity’s young love interest, daughter of the aforementioned family.
Set in America’s Colonial period, John Ford’s adventure tale follows Gilbert (Henry Fonda) and Lana Martin (Claudette Colbert) as they try to survive the rugged frontier. After their settlement is repeatedly attacked by Indians, the couple is taken in by a spinster (Edna May Oliver). Lana bears a son, while Gilbert heads off to fight the Indians and the British. He returns, wounded, to find his family once again under attack by the Indians.
J.D. Cahill is the toughest U.S. Marshal they’ve got, just the sound of his name makes bad guys stop in their tracks, so when his two young boy’s want to get his attention they decide to rob a bank. They end up getting more than they bargained for.
Three cowhands, between jobs, have the bad dumb luck to pitch night camp in the same valley as a cabin full of guys who just robbed a stagecoach and killed the guard. Come morning, a posse arrives, forms up along the ridge, and takes for granted that everyone down below is guilty–fit for either shooting to bits or hanging from a tree, whichever comes first. Precisely half of Ride in the Whirlwind’s 82 minutes is devoted to tapping the matter-of-fact, absurdist horror of that situation. In the remaining half, the two surviving cowpokes (Jack Nicholson and Cameron Mitchell) seek shelter at a farmhouse where they reluctantly threaten the farmer, accept breakfast from his wife, flirt with his daughter (Millie Perkins), play some checkers, and hope to remain undetected till nightfall.
The incredible true story of America’s bloodiest family feud told through a combination of documentary interviews and traditional Western scenes tracking the fallout between the Grahams and Tewksburys which led to a ten year battle and cost up to fifty lives.
One of the last bills signed by President Lincoln authorizes pushing the Union Pacific Railroad across the wilderness to California. But financial opportunist Asa Barrows hopes to profit from obstructing it. Chief troubleshooter Jeff Butler has his hands full fighting Barrows’ agent, gambler Sid Campeau; Campeau’s partner Dick Allen is Jeff’s war buddy and rival suitor for engineer’s daughter Molly Monahan. Who will survive the effort to push the railroad through at any cost?