The Côte d’Azur. 1915. In his twilight years, Pierre-Auguste Renoir is tormented by the loss of his wife, the pains of arthritic old age and the terrible news that his son Jean has been wounded in action. But when a young girl miraculously enters his world, the old painter is filled with a new, wholly unexpected energy. Blazing with life, radiantly beautiful, Andrée will become his last model, and the wellspring of a remarkable rejuvenation. Back at the family home to convalesce, Jean too falls under the spell of the new, redheaded star in the Renoir firmament. In their Mediterranean Eden – and in the face of his father’s fierce opposition – he falls in love with this wild, untameable spirit… and as he does so, within weak-willed, battle-shaken Jean, a filmmaker begins to grow.

Slave traders bring back evil voodoo entity that is accidently freed by the Confederate army during the Civil War. The entity possesses the bodies of the dead soldiers to create an army of its own bent on conquest, using the corpses of both the North and South.

When a young woman learns her parents’ killer has been released from jail, she is forced to revisit old wounds while discovering the destructive power of hate and the true cost of family secrets fully revealing themselves.

When two brothers are forced to fight in the Korean War, the elder decides to take the riskiest missions if it will help shield the younger from battle.

When her niece is cast in The Philadelphia Ballet’s production of the Nutcracker, a jaded ex-ballerina is forced to come to terms with the life and love she left behind.

A series of snapshots from the life of a fictional actress named Shirley serves to weave together thirteen paintings by Edward Hopper (e.g. “Office at Night”, “Western Motel”, “Usherette”, “A Woman in the Sun”) into a fascinating synthesis of painting and film, personal and political history. Each station in Shirley’s professional and private life from the 1930s to 1960s is precisely dated: It is always August 28/29 of the year in question, as the locations vary from Paris to New York to Cape Cod.

A story where money can change the way people look at you.

Following a series of drug deals and murders, three criminals — Fantasia, Ray Malcolm and Pluto — travel from Los Angeles to Houston, finally arriving in a small Arkansas town to go into hiding. Two detectives from the LAPD, who are already on the case, contact the town’s sheriff, Dale Dixon, to alert him of the fugitives’ presence in the area. Underestimating Dixon, the criminals have no idea what they are about to face.

All the people in this countryside area, can count on Jean-Pierre, the doctor who auscultates them, heals and reassures them day and night, 7 days a week. Now Jean-Pierre is sick, so he sees Natalie, a young doctor, coming from the hospital to assist him. But will she adapt to this new life and be able to replace the man that believed to be irreplaceable?

The film follows Kaspar Hauser (Bruno S.), who lived the first seventeen years of his life chained in a tiny cellar with only a toy horse to occupy his time, devoid of all human contact except for a man who wears a black overcoat and top hat who feeds him.

Birdboy and his animal friends plan their escape from an ecologically devastated island in this surreal, animated fantasy.

A small-time hood must choose from among love, friendship and the chance to rise within the mob.