In a forgotten pocket of Southern Ohio where American manufacturing and opportunity are drying up, a determined young woman finds a ticket out when she is accepted to college. Alongside her older brother, Ruth Avery joins a dangerous scrap metal crew in order to pay her way. Together, they spend one brutal winter working the scrap yards during the day and stealing valuable metal from the once thriving factories by night. With her goal in sight, Ruth finds that the ultimate cost of an education for a girl like her may be more than she bargained for, and she soon finds herself torn between a promising future and the family she would leave behind.

Not satisfied with the result of a murder investigation in Warsaw’s gay community, an officer in 1980s communist Poland resolves to uncover the truth.

Simultaneously, a retired couple overwhelmed by debt tries to win a dance contest, as the minister of economy is suspected of tax evasion, and a teenage girl encounters a sexual maniac, while a young lawyer attempts to climb the social ladder. When the shoe drops, the winner won’t necessarily be the one we expected.

Convinced he’ll graduate with honors because of his thesis paper, a stuffy Harvard student finds his paper being held hostage by a homeless man, who might be the guy to school the young man in life.

Lee Scratch Perry’s Vision of Paradise is a unique project in many ways. It is the life story of the legendary musician, but it is not a biography, it is a fairytale documentary! The director followed Lee Perry for thirteen years and discovered an unbelievable story, a revelation, told about and with one of the major protagonists of contemporary music, the other half of the story that has never been told. The movie can be seen as a guide for how to change the world with music, with a positive attitude, mindset or, as Lee Perry calls it, vibration.

Kako (Fumi Nikaido) is a female high school student. She lives at a restaurant run by her family in Kitashinagawa, Tokyo. Unexpectedly, Kako’s aunt, Mikiko (Kyoko Koizumi), suddenly appears. Kako thought her aunt died 18 years ago. Her whole family is embarrassed by Mikiko’s appearance due to a past incident caused by Mikiko. Kako is also irritated when Mikiko lives in her room. They spend the summer together.

Hakeem and A-Mac are like brothers. Together facing immigrant life in Montreal, while ‘spotting’ cars after school. Boost gives us a glimpse into the awkward adventures of teenage boyhood, then the jolt, when that innocence ends abruptly.

In order to best save the necessary funds to leave her desolate town and start anew, Katie prostitutes herself to a handful of regulars that frequent the diner she waitresses at. As she draws near to saving the funds she believes her new life requires, she encounters a young ex-convict named Bruno. Katie quickly falls in love, much to the dismay of Bruno’s coworkers at the local auto body shop. As a relationship with Bruno begins to form, the delicate harmony of their small town slowly begins to fall into disarray.

“Fanny” is the second part of the “Marseille trilogy”, made by Marcel Pagnol with the generic name of “Marius, Fanny and César”. Fanny falls in love and is abandoned by Marius. Now she discovers she is pregnant. Her mother and Marius’s father, César, persuade her to accept the romantic advances of a much older man. To save face, Fanny accepts to marry Honoré Panisse, a rich merchant of the Vieux Port, 30 years her senior who will recognize her son.

Eight close friends soak up their last day of summer together on the beach before parting ways for college.

Before her lights go out Roxy Starr and her manager get the band together for one more show.

Michael, who lost his wife a few years back, has been use to being a single dad to his two daughters until his new girlfriend Maddie comes along.