In the wild west, two brothers embark on a journey to collect a bounty in a desperate attempt to save their home: but what they find along the way is more than they bargained for.
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The son of Emperor Franz Josef of Austria, Crown Prince Rudolf, is believed to have shot his female lover and himself in a tragic suicide pact in 1882 in Mayerling. Due to Imperial cover-ups, the full story may never be known. This story has been filmed several times, in French in 1935 and in English in 1968. Hungarian director Miklos Jancso recreates those events for his own purposes, continuing his favored theme of the rejection of paternal authority. In the film, which has very little dialog, Rudolf is a good-natured pan-sexual golden boy, who cavorts on his rural estate with a host of beautiful, aristocratic lovers and friends of both sexes. He refuses to leave his country idyll even though he has been ordered to by the Emperor, his father. Despite the fact that for a large part of the film, attractive young people go about unclothed and engaging in erotic encounters, the mood is one of melancholy rather than prurience.
Sinbad, armed with rumors of ancient gold, finds himself sneaking into the desert camp of the evil sorcerer Al-Jibar. Hidden among the many relics is an ivory scroll case containing the logs of the pirate Captain Minos, which will lead Sinbad to the golden head of the Colossus of Rhodes.
Two veteran private eyes trigger a criminal reign of terror with their search for a missing girl.
John Matrix, the former leader of a special commando strike force that always got the toughest jobs done, is forced back into action when his young daughter is kidnapped. To find her, Matrix has to fight his way through an array of punks, killers, one of his former commandos, and a fully equipped private army. With the help of a feisty stewardess and an old friend, Matrix has only a few hours to overcome his greatest challenge: finding his daughter before she’s killed.
A youth choir director needs to write a big song for the Christmas Eve show but finds herself distracted when a boy with a golden voice joins her choir, which will come as news to his widowed father.
As war looms on the horizon, a hopeful ingenue (Zoe Tapper) finds herself caught between the warring affections of a playwright (David Leon) and a director (Andrew Lincoln) in 1930s London. Director Julia Taylor-Stanley’s heartwarming ensemble piece features zesty performances by Anjelica Huston as an eccentric investor, Mark Umbers as a vain matinee idol, and Terence Stamp as a tart butler. And don’t miss the immortal Lauren Bacall in a small role.
Do-Hee experiences family violence. Young-Nam works as the head of the police substation. She tries to protect Do-Hee from her violent stepfather Yong-Ha. Though Do-Hee looks naive, she hides a secret. Young-Nam becomes involved in a case with her life at stake.
The second of Trier’s films known collectively as the Europa trilogy. The other two films in the trilogy are The Element of Crime (1984) and Europa (1991). Co-written by Niels Vørsel, the film focuses on the screenwriting process. Vørsel and von Trier play themselves, coming up with a last-minute script for a producer. This story is intercut with scenes from the film they write, in which von Trier plays a renegade doctor trying to cure a modern-day epidemic. In an ironic twist, the doctor discovers that he himself has been spreading the virus.
A group of archaeological students become trapped in the past when they go there to retrieve their professor. The group must survive in 14th century France long enough to be rescued.
Set in Stalin-era Soviet Union, a disgraced MGB agent is dispatched to investigate a series of child murders — a case that begins to connect with the very top of party leadership.
