Greatest Party Story Ever…And Other Epic Tales showcases peoples’ most outrageous, hilarious, epic tales including everything from debauchery, drunkenness, to even celebrity encounters. The funniest, craziest, most unbelievable stories are brought to life with first-person storytelling & reenacted with their own unique style of animation.
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Tom and Louise meet in a pub immediately before their weekly marital therapy session. With each successive episode we piece together how their lives were, what drew them together and what has started to pull them apart.
The Cooper family share a small house, and absolutely no DNA. Mum Tess wanted to save as many kids as she could from the sort of childhood she had. So, along with her husband Toby, she now divides just about enough money and nowhere near enough time between their three adopted children Frankie, Alisha and Charlie.
A decade after their wild summer as junior counselors, the gang reunites for a weekend of bonding, hanky-panky and hair-raising adventures.
You Can’t Do That on Television is a Canadian television program that first aired locally in 1979 before airing internationally in 1981. It featured pre-teen and teenaged actors in a sketch comedy format. Each episode had a theme. The show was notable for launching the careers of many performers, including Alanis Morissette, and writer Bill Prady, who would write and produce shows like The Big Bang Theory, Gilmore Girls and Dharma and Greg.
The show was produced by and aired on Ottawa’s CTV station CJOH-TV. After production ended in 1990, the show continued in reruns on Nickelodeon through 1994, when it was replaced with the similar All That. The show is synonymous with Nick, and was at that time extremely popular, with the highest ratings overall on the channel. The show is also well known for introducing the network’s iconic slime.
The program is the subject of the 2004 feature-length documentary, You Can’t Do That on Film, directed by David Dillehunt.
Romesh Ranganathan, joined by celebrity guests and the Ranganation, his very own focus group of 25 members of the public, takes a funny, topical look at modern Britain.
The series follows 14-year-old Emma Alonso, as she moves to Miami and her life turns upside-down. Not only does she discover that she is a witch, she also has a crush on the boy next door, Daniel. But Daniel’s ex-girlfriend Maddie, who is an ‘evil witch’ and leader of the school clique the ‘Panthers’, is still willing to fight for the boy she loves.
Clone High is a Canadian-American adult animated television series that aired for one season on MTV and Teletoon.
The series had run in its entirety in Canada on Teletoon before premiering in the United States on MTV. The last five episodes were never broadcast in the United States. The Clone High theme song was written by Liam Lynch and performed by alternative rock band Abandoned Pools, who also provided much of the series’ background music.
Beavis and Butt-head are high school students whose lifestyles revolve around TV, junk food (usually nachos), shopping malls, heavy metal music, and trying to “score with chicks”. Each show contains short cartoons centering on the duo who live in the fictitious town of Highland, Texas. The episodes are broken up by short breaks in which Beavis and Butt-head watch and make fun of music videos.
The misadventures of a group of medical students.
Trigun takes place in the distant future on a deserted planet. Vash the Stampede is a gunfighter with a legend so ruthless he has a $60,000,000,000 bounty on his head. Entire towns evacuate at the rumor of his arrival. But the real Vash the Stampede, the enigmatic and conflicted lead character in Trigun, is more heroic, even though he usually acts like a complete idiot.
Follow Sarah Silverman as she looks to connect with people who may not agree with her personal opinions through honesty, humor, genuine interest in others and not taking herself too seriously. She feels that now more than ever it’s crucial to connect with un-like-minded people.
Outgoing 13-year-old Sydney is on the fast track to growing up, despite the goodhearted efforts of her protective father, Max. As Sydney attempts to spread her wings and make more decisions for herself, Max does everything he can to rein her in and keep her his little girl. But in so doing, his mother, Judy, is reminded of his own antics at Sydney’s age, and the parallels — illustrated by comical flashback sequences starring a young Max — are both amusing and enlightening.