Told through three different characters’ perspectives, the story of Sintonia explores the interconnection of the music, drug traffic, and religion in São Paulo. In the quest to be somebody, many paths will converge.

Miami – A desperate banker needs to conceal stolen money. A Haitian-American gang lord wants to go legit. A Cuban-American hacker has an idea that will revolutionize the very future of money itself. Forced to work together, they unwittingly create their version of the American dream – organized crime 2.0.

Criminal Behavior Analyst, Casey Jordan, interviews women who have been accused and/or charged with stabbing their spouses or boyfriends. The viewer sees an interview with the accused women and a reenactment of the alleged history of the relationship.

Starsky & Hutch is a 1970s American cop thriller television series, which consisted of a 70-minute pilot movie and 92 episodes of 50 minutes each. The show was created by William Blinn, produced by Spelling-Goldberg Productions, and broadcast between April 30, 1975 and May 15, 1979 on the ABC network. It was distributed by Columbia Pictures Television in the United States and, originally, Metromedia Producers Corporation in Canada and some other parts of the world. Sony Pictures Television is now the worldwide distributor for the series. The series also inspired a theatrical film and a video game.

Set in ancient Israel, The Dovekeepers is based on the true events at Masada in 70 C.E. After being forced out of their home in Jerusalem by the Romans, 900 Jews were ensconced in a fortress at Masada, a mountain in the Judean desert. Besieged at Masada, the Jews held out for months against the vast Roman armies. The events are recounted from the perspective of a few extraordinary women who arrive at Masada with unique backstories, but a common bond for survival. Additionally, these women, who work together daily as dovekeepers, are all concealing substantial secrets. This four-hour limited event series is based on Alice Hoffman’s bestselling, critically acclaimed historical novel.

Before Spartacus struck down his first opponent in the arena, there were many gladiators who passed through the gates onto the sand.’Spartacus: Gods of the Arena’ tells the story of the original Champion of the House of Batiatus: Gannicus, in a more ruthless time before Spartacus’ arrival where honor was just finding its way into the arena.

A horrific double murder rocks the lives of two families living side-by-side in isolated rural Scotland. But instead of focusing on the investigation, One of Us explores the fallout for the grieving relatives, and the dark consequences that threaten to shatter their lives.

30yearsafterthedestructiveBattleofEndor,anewthreatemergesfromthebricksoftheoldEmpire,theFirstOrder.Theirplan:toendtheNewRepublicandtheResistance,completetheirultimateweapon,andtakeoverthegalaxy.Luckily,hopeisnotlost.Ascavenger,aroguestormtrooper,andtheResistance’sbestpilotmustcometogetherwiththeaidofoldalliestoendtheFirstOrder’splansbrickbybrick.ThemostbelovedLEGOvideogamefranchisebyTraveler’sTalesreturnstotakeyoubacktoalongtimeagoinagalaxyfar,farawaywithLEGOStarWars:TheForceAwakens-TheVideogame!WrittenbyChaseSlaughter

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Cowboy Bebop is a 1998 Japanese anime series developed by Sunrise. It featured a production team led by director Shinichirō Watanabe, screenwriter Keiko Nobumoto, character designer Toshihiro Kawamoto, mechanical designer Kimitoshi Yamane, and composer Yoko Kanno. The twenty-six episodes of the series are set in the year 2071. It follows the adventures, misadventures and tragedies of a bounty hunter crew travelling on the Bebop, their starship. Cowboy Bebop explores philosophical concepts including existentialism, existential ennui, loneliness, and the past’s influence.

The series premiered in Japan on TV Tokyo from April 3 until June 26, 1998, broadcasting only twelve episodes and a special due to its controversial adult-themed content. The entire twenty-six episodes of the series were later broadcast on WOWOW from October 24 until April 24, 1999. The anime was adapted into two manga series which were serialized in Kadokawa Shoten’s Asuka Fantasy DX. A film was later released to theaters worldwide.

Cowboy Bebop became a critical and commercial success both in Japanese and international markets (most notably in the United States), garnered several major anime and science fiction awards upon its release, and received universal praise for its style, characters, story, voice acting, animation, and soundtrack. In the years since its release, critics and reviewers, from the United States in particular, have hailed Cowboy Bebop as a masterpiece and frequently cite it as one of the greatest anime titles of all time. Credited with helping to introduce anime to a new wave of Western viewers in the early 2000s, Cowboy Bebop has also been labelled a gateway series for the medium as a whole.

Voyage to the Bottom of the Sea is a 1960s American science fiction television series based on the 1961 film of the same name. Both were created by Irwin Allen, which enabled the movie’s sets, costumes, props, special effects models, and sometimes footage, to be used in the production of the television series. Voyage to the Bottom of the Sea was the first of Irwin Allen’s four science fiction television series as well as the longest running. The show’s main theme was underwater adventure.

Voyage was broadcast on ABC from September 14, 1964 to March 31, 1968, and was the decade’s longest-running American science fiction television series with continuing characters. The 110 episodes produced included 32 shot in black and white, and 78 filmed in color. The first two seasons took place in the then future of the 1970s. The final two seasons took place in the 1980s. The show starred Richard Basehart and David Hedison.

Laura Diamond, a brilliant NYPD homicide detective balances her “Columbo” day job with a crazy family life that includes two unruly twin boys and a soon-to-be ex-husband — also a cop — who just can’t seem to sign the divorce papers. Between cleaning up after her boys and cleaning up the streets, she’d be the first to admit she has her “hot mess” moments in this hilariously authentic look at what it really means to be a “working mom” today. Somehow, she makes it all work with the help of her sexy and understanding partner, and things becomes even more complicated when her husband, ironically, becomes her boss at the precinct. For Laura, every day is a high-wire balancing act.