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1A Toronto police officer gets involved in a homicide investigation while visiting his father in Mumbai.
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This drama tells the story of a vampire, Park Ji-sang who works as a doctor in a hospital. Yoo Ri-ta is a hotshot heiress doctor, a star physician at the hospital and the niece of the board’s chairman. She’s snooty and cold, but highly capable, and accustomed to being the golden girl. Lee Jae-wook is their chief, an outwardly gentle, inwardly ambitious man who will prove to be their biggest adversary.
Follows the lives of two volunteer nurses on opposing sides of the Civil War – New England abolitionist Mary Phinney and Confederate supporter Emma Green. Based on true stories and set in a Union hospital in the occupied Confederate city of Alexandria, viewers are taken beyond the battlefield and into the lives of Americans on the Civil War home front as they face the unprecedented challenges of one of the most turbulent times in our nation’s history.
You Can’t Do That on Television is a Canadian television program that first aired locally in 1979 before airing internationally in 1981. It featured pre-teen and teenaged actors in a sketch comedy format. Each episode had a theme. The show was notable for launching the careers of many performers, including Alanis Morissette, and writer Bill Prady, who would write and produce shows like The Big Bang Theory, Gilmore Girls and Dharma and Greg.
The show was produced by and aired on Ottawa’s CTV station CJOH-TV. After production ended in 1990, the show continued in reruns on Nickelodeon through 1994, when it was replaced with the similar All That. The show is synonymous with Nick, and was at that time extremely popular, with the highest ratings overall on the channel. The show is also well known for introducing the network’s iconic slime.
The program is the subject of the 2004 feature-length documentary, You Can’t Do That on Film, directed by David Dillehunt.
HeleneMcKenzieresidesintheNSWregionaltownofCoonabarabranandisanavidastronomerjustlikeherfatherwas,workingintheobservatorythatoverlookshersmalltown.Whenanearbyandmuchnewerobservatorythreatensitsfundingandresearchgrants,Helene’sobservatoryisindangerofbeingshutdown.Heleneactivelyfightsitsclosureandalongwithherteamofmisfitcolleagues,sheattemptstorallyhersmallhometownbehindher.Plaguedbyacorruptlocalcouncilandhinderedbyalazytownmayor,Helene’sprospectsofsavingherobservatoryareslim.Whendisasterstrikesontheeveofabigbreakthrough,Helenemaygetthechancetosavemorethanjustherbelovedobservatory.WrittenbyShaneDunlop
Louie De Palma is a cantankerous, acerbic taxi dispatcher in New York City. He tries to maintain order over a collection of varied and strange characters who drive for him. As he bullies and insults them from the safety of his “cage,” they form a special bond among themselves, becoming friends and supporting each other through the inevitable trials and tribulations of life.
Follows former CIA agent, Bob Baer and former LAPD police lieutenant, Adam Bercovici, on their independent global investigation into Lee Harvey Oswald, and the murder of JFK, asking the questions: did he have accomplices, and if so, who helped him assassinate the President?
The story of the woman that would become Empress Ki, and her struggles as she worked her way through war, political conspiracies, and the imperial palace to become Empress of China. This Korean Drama re-imagines the historical figure as a fierce, independent woman who goes to extreme lengths to protect those she loves.
Based on a true story, “Harley and the Davidsons” charts the birth of this iconic bike during a time of great social and technological change beginning at the turn of the 20th century.
Laverne & Shirley is an American television sitcom that ran on ABC from January 27, 1976 to May 10, 1983. It starred Penny Marshall as Laverne De Fazio and Cindy Williams as Shirley Feeney, single roommates who worked as bottlecappers in a fictitious Milwaukee brewery called “Shotz Brewery.”
The show was a spin-off from Happy Days, as the two lead characters were originally introduced on that series as acquaintances of Fonzie. Set in roughly the same time period, the timeline started in approximately 1958, when the series began, through 1967, when the series ended. As with Happy Days, it was made by Paramount Television, created by Garry Marshall, and executive produced by Garry Marshall, Edward K. Milkis, and Thomas L. Miller.