Follow the crew of the not-so-functional exploratory ship in the Earth’s interstellar fleet, 300 years in the future.
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The Partridge Family is an American television sitcom series about a widowed mother and her five children who embark on a music career. It ran from September 25, 1970, until March 23, 1974, on the ABC network as part of a Friday-night lineup, and had subsequent runs in syndication.
Based on Philip K. Dick’s award-winning novel, The Man in the High Castle explores what it would be like if the Allied Powers had lost WWII, and Japan and Germany ruled the United States.
Genre-bending comedy featuring Aunt Bernie, a meek, working-class woman who dies tragically in a home invasion. Compelled by sheer force of dissatisfaction, she comes back from the dead full of rage, determined to get the life she never had. She proceeds to inflict a range of demands on her immediate family who live in a low-end subsidized hellhole of a housing complex called Sea Oak.
Dragon Tales is an American-Canadian animated pre-school children’s television series created by Jim Coane and Ron Rodecker and developed by Coane, Wesley Eure, Jeffrey Scott, Cliff Ruby and Elana Lesser. The story focuses on the adventures of two siblings, Max and Emmy and their dragon friends Cassie, Ord, Zak, Wheezie, and Quetzal. The series began broadcasting on the Public Broadcasting Service on their PBS Kids block on September 6, 1999, with its final episode aired on November 25, 2005. Re-runs ceased in 2010.
Kenny and Spenny are two best friends who compete against each other. Their competitions are ridiculous, immature and totally intense.
The Man from U.N.C.L.E. is an American television series that was broadcast on NBC from September 22, 1964, to January 15, 1968. It follows the exploits of two secret agents, played by Robert Vaughn and David McCallum, who work for a fictitious secret international espionage and law-enforcement agency called U.N.C.L.E. Originally co-creator Sam Rolfe wanted to leave the meaning of U.N.C.L.E. ambiguous so it could be viewed as either referring to “Uncle Sam” or the United Nations. Concerns by the MGM Legal department about possible New York law violations for using the abbreviation “U.N.” for commercial purposes resulted in the producers clarifying that U.N.C.L.E. was an acronym for the United Network Command for Law and Enforcement. Each episode of the television show had an “acknowledgement” credit to the U.N.C.L.E. on the end titles.
Max Headroom is a British-produced American satirical science fiction television series by Chrysalis Visual Programming and Lakeside Productions for Lorimar-Telepictures that aired in the United States on ABC from March 1987 to May 1988. The series was based on the Channel 4 British TV pilot produced by Chrysalis, Max Headroom: 20 Minutes into the Future. The series is often mistaken as an American-produced show due to the setting and its use of an almost entirely US cast along with being broadcast in the USA on the ABC network. Cinemax aired the UK pilot followed by a six-week run of highlights from The Max Headroom Show, a music video show where Headroom appears between music videos. ABC took an interest in the pilot and asked Chrysalis/Lakeside to produce the series for US audiences.
The show went into production in late 1986 and ran for six episodes in the first season with eight being produced in season two.
Laverne & Shirley is an American television sitcom that ran on ABC from January 27, 1976 to May 10, 1983. It starred Penny Marshall as Laverne De Fazio and Cindy Williams as Shirley Feeney, single roommates who worked as bottlecappers in a fictitious Milwaukee brewery called “Shotz Brewery.”
The show was a spin-off from Happy Days, as the two lead characters were originally introduced on that series as acquaintances of Fonzie. Set in roughly the same time period, the timeline started in approximately 1958, when the series began, through 1967, when the series ended. As with Happy Days, it was made by Paramount Television, created by Garry Marshall, and executive produced by Garry Marshall, Edward K. Milkis, and Thomas L. Miller.
