Danny Foster doesn’t have much: an apartment as small as his paychecks, no family, and a struggling music career. Yet for him, “every day is a great day to be alive,” an attitude he gained from his mother’s unwavering optimism during her losing battle with cancer. It’s love at first sight when Danny meets Ariana, a wealthy girl from Greenwich, CT who tragically cannot hear the music she inspires him to write. Ariana, hearing impaired since childhood, is torn between hanging onto the shelter her controlling mother provides and fighting for a love that, if given the chance, might just change her life
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The story of Mexican revolutionary Emiliano Zapata, who led a rebellion against the corrupt, oppressive dictatorship of president Porfirio Diaz in the early 20th century.
A band of outlaws appear out of nowhere on a ranchers property and viciously shoot him down. They steal what they can from his ranch and kidnap his wife. They make for the Mexican border, but something starts stalking them. From: Exploitation.TV
Smitten with a Jewish woman, a gentile asks his Jewish pal to advise him on how to act like a member of the community.
In a desolate, future world, after civilization has collapsed, a wanderer fights to save a virgin mother from a powerful magician and, with her, searches for a mythical city containing the world’s last survivors.
Since they were both five, Ryosuke has been stalked by Momoko – the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste – but still he wants nothing to do with her. Ryosuke goes in for fleeting romance – for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke’s little finger hacked off. Magically, the finger falls into Momoko’s hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba’s short-but-powerful feature debut. Just like in her previous short films, the director – who cut her teeth in the advertising world and as the writer of a video game – throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR
Beneath Bruce Garrett’s under-confident, overweight exterior, the passionate heart of a salsa king lies dormant. Now, one woman is about to reignite his Latin fire.
The Sikand family learns they are part of an ancient bloodline and the only hope at continuing it is their gay daughter Savarna.
A small town teenager in the 1960s believes her dreams of becoming a famous singer will come true when her rock star idol gets stranded in town. But a leak in a nearby chemical plant that is believed to be causing mass mutations threatens to turn her dream into a nightmare.
When a handsome young Indian couple (Saif Ali Khan and Kareena Kapoor) moves into the suburbs to claim their stake in the American dream, they are shocked to discover that they’ve become enmeshed in a secretive terrorist plot. But as tensions escalate, the bride begins to wonder if her husband has told her everything he knows.
Wind From the East is a product of Jean-Luc Godard’s involvement, during the late 60s and early 70s, with a collective filmmaking experiment known as the Dziga Vertov Group. The film is, typically of the films he made during this period, about ideas and simultaneously about how best to express those ideas through the medium of film. The film deals with the situation of a strike and, during its first half, methodically analyzes the different components of the strike: the workers, the radical students who encourage the strike while not quite being able to communicate in the same terms as the workers, the union delegates and other middlemen who preach moderation and compromise, the employers who demand the immediate resumption of work, the police state that suppresses the strike on behalf of capitalism.
Radha (Naga Chaitanya) and Krishna (Samantha) are a married couple with a kid Bittu in early 1980’s. They die in an accident. Bittu (Nagarjuna) grows up and happens to see reincarnation of his father and his mother as youngsters. The rest of the story is all about how Bittu tries to unite these two youngsters. And there is another twist in the tale for which you must watch the movie on the big screen!
Cate, CEO of the Merry and Bright Candy Cane Company, meets Gabe during the busy Christmas season. She assumes Gabe is the suitor her well-meaning mother is trying to set her up with when in reality, he works for Empire Corporate Recovery, which has been hired to take a closer look at Merry and Bright’s operation and find ways to make the company more profitable. As Cate and Gabe begin to work together, they find ways to elevate the business and find that they have more in common than savvy business sense.