A massive 5 1/2 hour biopic of Napoleon, tracing his career from his schooldays (where a snowball fight is staged like a military campaign), his flight from Corsica, through the French Revolution (where a real storm is intercut with a political storm) and the Terror, culminating in his triumphant invasion of Italy in 1797 (the film stops there because it was intended to be part one of six, but director Abel Gance never raised the money to make the other five). The film’s legendary reputation is due to the astonishing range of techniques that Gance uses to tell his story, culminating in the final twenty-minute triptych sequence, which alternates widescreen panoramas with complex multiple- image montages projected simultaneously on three screens.
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Bank robbers and killers cause mayhem in a small western town.
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Horatio Homblower, now promoted to Acting Lieutenant, captures the French ship Le Reve off the Spanish coast. The Captain of the French ship is furious that such a youngster has pulled off such a coup. But far more daunting is Hornblower’s first taste of the high life, when he is invited to dine with the Governor of Gibraltar and his wife. The prospect of this is frightening enough, but an unexpected guest, the glamorous Duchess of Wharfedale, adds another spin to his evening.
Vladimir is reaching the end of his life and decides to leave his wealth to his only daughter, cutting out his wife and her son from his will.
A father struggles to keep his infant daughter alive in the wake of Hurricane Katrina.
Dick died last night, and Zeke and Earl don’t want anybody finding out how. That’s too bad though, cause news travels fast in small-town Alabama.
An American filmmaking couple retreat to the island for the summer to each write screenplays for their upcoming films in an act of pilgrimage to the place that inspired Bergman. As the summer and their screenplays advance, the lines between reality and fiction start to blur against the backdrop of the Island’s wild landscape.
