A father and son who must team up to save Christmas, once they discover Santa Claus sleeping in their garage after crashing his sleigh and finding himself on the run from the police.

Johnna’s dad changed the world. Or so he says. Whilst Johnna and her dad are talking, they can’t seem to connect, each growing more and more frustrated with one another, revolving around one another in their own orbits.

The Flintstones are at it again. The Flintstones and the Rubbles head for Rock Vegas with Fred hoping to court the lovely Wilma. Nothing will stand in the way of love, except for the conniving Chip Rockefeller who is the playboy born in Baysville but who has made it in the cutthroat town of Rock Vegas. Will Fred win Wilma’s love?

WingMan is the tragic story of Mitch Wolfe a delusional disgraced film executive, who escapes to Cuba, to get away from creditors in one last attempt to salvage his film career with his last flick.

Katie (Lucy Hale) and Sara (Phoebe Strole) have been friends since childhood. They enter college together, where Katie is a prized legacy candidate for the Delta sorority, which was co-founded decades ago by her mother, Lutie (Courtney Thorne-Smith) and Summer (Faith Ford), whose own daughter Gwen (Amanda Schull) now leads the Deltas on campus. Events occur during pledge week to cause a rift between Katie and the Deltas, which leaves Sara as a Delta pledge and Katie out in the cold. Katie joins the rival Kappa sorority, and the rivalry splits not just Katie and Sara, but extends all the way into the Delta alumnae association led by Lutie and Summer.

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During an ordinary day in Hundred Acre Wood, Winnie the Pooh sets out to find some honey. Misinterpreting a note from Christopher Robin, Pooh convinces Tigger, Rabbit, Piglet, Owl, Kanga, Roo, and Eeyore that their young friend has been captured by a creature named “Backson” and they set out to save him.

Written and directed by Windsor’s own Mike Stasko, Boys vs. Girls is loosely based on his experiences at a summer camp during the 90s. When camps around the country were shutting down every year and Camp Kitchikewana made the economically necessary move to turn co-ed, the result was a very real clash of the sexes. In the summer of 1990, the film sees Camp Kindlewood forced to go co-ed for the first time in its seventy-year existence. Camp Director Roger (Colin Mochrie) tries to keep the camp off the corporate chopping block, but after an awkward encounter between head counsellors Dale (Eric Osborne) and Amber (Rachel Dagenais), all bets are off. Rallying their sides in an attempt to win back their camp and gain dominance over what they feel is rightfully theirs, this battle of the sexes sets off a series of pranks, fueled by camp caretaker Coffee (Kevin McDonald), as the boys and girls fight for their summertime home.

After being named runner up and one of the five favorite acts of all time on America’s Got Talent, Taylor Williamson stars in his first standup comedy special! In his comedy routine, Taylor covers all the important problems we face in our crazy world: Japanese dancers taking jobs away from Americans on reality shows, strangers wanting to talk to you on airplanes, and the worst problem of all… Duvets!

A taxi driver and orphan join a battle to save royal heirs from a corrupt, greedy businessman.

Bank robber Graham Dorsey spends a few hours with beautiful widow Amanda Starbuck, in which time his gang takes part in a disastrous holdup. Learning of his comrades’ demise, Dorsey goes on the lam. Believing her short-term lover was killed by the law, Amanda decides to make the most of having had a liaison with the supposedly deceased desperado by writing a book about him. Much to his confusion, the still-living Dorsey watches as his name becomes legendary.

In the not too distant future a secret government re-animation chemo-virus gets released into conservative Sartre, Nebraska and lands in an underground strip club. As the virus begins to spread, turning the strippers into “Super Zombie Strippers” the girls struggle with whether or not to conform to the new “fad” even if it means there’s no turning back.