Mad with grief after the death of his Kiowa wife, Roe awaits death under a tree with her body beside him. She begins to haunt him because he won’t bury her. His father, who bought him the wife, thinks her sister might reason with Roe.

Fourteen years after a tragic accident, former Olympian figure skater Amy Clayton agrees to coach a young student. In doing so, she must face the demons of her past and embark upon a journey of healing her shattered life and broken relationships. Being on the ice unearths painful memories while simultaneously re-awakening a quest and a dream she thought she had left behind.

Godzilla saves Tokyo from a flying saucer that transforms into the beast Orga.

CREMASTER 2 (1999) is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney’s abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1 …

Three tales of three people who have a lasting effect on one another. A young writer whose career is skyrocketing finds himself in a stormy marriage. He divorces his wife after the death of their daughter, shuts himself from the outside world and drinks himself to death over a twenty-year period.

Tells Lacey Schwartz’s story of growing up in a typical upper-middle-class Jewish household in Woodstock, NY, with loving parents and a strong sense of her Jewish identity — despite the open questions from those around her about how a white girl could have such dark skin. She believes her family’s explanation that her looks were inherited from her dark-skinned Sicilian grandfather. But when her parents abruptly split, her gut starts to tell her something different. At age of 18, she finally confronts her mother and learns the truth: her biological father was not the man who raised her, but a black man named Rodney with whom her mother had had an affair.

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A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground “fight clubs” forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion.

An unemployed visionary finds a job as the manager of a television station his uncle owns. Unfortunately, due to gambling debts, the uncle is forced to consider selling the station to a rival station’s owner. With popular less-than-network standards of programming, George and his friends try to save the town’s new favorite station.

David Conrad is a college professor and sometimes philanderer raising three children in a small Kansas suburb with his wife Kelly. When sudden tragedy strikes the family in the days before Christmas, David and Kelly’s marriage is brought to its breaking point and David’s desire for retribution leads him into uncharted moral territory with the question: what can we forgive?

Damon Runyon’s fairytale, sweet and funny, is told by director Frank Capra. Boozy, brassy Apple Annie, a beggar with a basket of apples, is as much as part of downtown New York as old Broadway itself. Bootlegger Dave the Dude is a sucker for her apples — he thinks they bring him luck. But Dave and girlfriend Queenie Martin need a lot more than luck when it turns out that Annie is in a jam and only they can help: Annie’s daughter Louise, who has lived all her life in a Spanish convent, is coming to America with a Count and his son. The count’s son wants to marry Louise, who thinks her mother is part of New York society. It’s up to Dave and Queenie and their Runyonesque cronies to turn Annie into a lady and convince the Count and his son that they are hobnobbing with New York’s elite.