Savannah is the true story of Ward Allen, a romantic and bombastic character who rejects his plantation heritage for the freedom of life on a river. Ward navigates the change of early 20th century America on the wrong side of the law and society, his long-time friend, a freed slave named Christmas Moultrie, at his side. Master of Shakespeare, and the shotgun that provides Savannah’s markets with fowl, Ward fights for his rights as a hunter. His charisma and eloquent rhetoric win the heart of a society woman who defies her father to marry him. An elderly Moultrie tells the story of life on the river with his friend to a little boy, who passes the legendary Ward Allen down to the next generation.

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Three actors in Hollywood live and love together. A director comes from New York to make a movie about actors and Hollywood.

Metropolitan Archbishop Lakota of L’viv, freed after twenty years in the Soviet Gulag, travels to Rome where circumstances conspire to see him elevated to the Papacy. Inspired by the life story of Ukrainian Catholic Cardinal Josyf Slipyj,

Alyssa Milano, who also serves as producer, stars as Jane Claremont, who, as a young girl, would accompany her mother Vivian (Stockard Channing) to Tiffany’s in New York every Sunday and bring along her imaginary friend, Michael. Now, 20 years later, Jane is a successful businesswoman, set to marry Hugh (Ivan Sergei), her handsome fiancé, until Michael (Eric Winter) suddenly reappears.

After twenty years of broken bottles and empty hallways, Mort Gleason witnesses his nephew Moo being beaten while in a drunken stupor. The short contact with family brings Mort back to what are left of his senses and he returns to the last home he remembers in Chicago. His sister Eileen lives in their family home now with her sixteen year old son, Abe. Her older son Moo, the now missing nephew, helped spark Mort’s return to his family. Three, four, five weeks pass as Mort waits outside his home and makes a tenuous re-entry into family life. Abe dreams of a sailboat and distant horizons. He saves money and sees an advertisement for the Kathy II. He and his friend calculate a way to buy the vessel from two unscrupulous rogues who make ends meet wholesaling liquor and operating a sometime boatyard.

A devoted young woman becomes ensnared in a web of sexuality and betrayal in Jean-Pascal Hattu’s consistently unpredictable and finely wrought character study. A vividly realistic psychosexual drama, the film’s sharp emotional honesty heralds a distinct new voice from a promising young director. Hattu soon reveals that Maite’s husband Vincent is in prison for an unspecified crime, and that she has promised to wait for him and attend to his laundry (if not his conjugal needs) during his incarceration. On one of her weekly visits, Maite meets Jean, an oddly inquisitive and boldly flirtatious prison warden, and soon the two commence a joyless affair. Seemingly smitten with Maite, Jean, in a gesture of kindness to his lover, eases up on her husband behind bars; the two become pals and even engage in some homoerotic shower talk. —Robert O’Shaughnessy

Bunny King is a mother of two, a rough cut diamond with a sketchy past. While battling the system to reunite with her children, a confrontation leads her to take her niece Tonyah under her wing. With the world against her and Tonyah, Bunny’s battle has just begun.

Lisa has a grandfather called Killer Kane, who stopped Wrestling after he killed someone while performing “the snap”. Her only wish is to become a wrestler herself. To achieve this, she joins the American Angels, a female wrestling show. Because training hard isn’t enough, she seduces the show manager Donald to get a fight against Magnificent Mimi, the champion. But as Donald and Mimi are a couple, Mimi is just waiting for a chance to punish Lisa…

Molly and Terry Donahue, plus their three children, are The Five Donahues. Son Tim meets hat-check girl Vicky and the family act begins to fall apart.

Unfulfilled at work and dissatisfied with her marital life, a middle-aged woman attends a high school reunion and finds a floodgate of flashbacks of her salad days open before her mind’s eyes. She was inseparable with two boys 20 years ago but married one of them eventually. All the memories eventually zero in on one critical incident that changed her life and those of the boys forever.

In this radically reimagined American Western set towards the end of the Civil War, Southerner Augusta encounters two renegade, drunken soldiers who are on a mission of pillage and violence. After escaping an attempted assault, Augusta races back to the isolated farmhouse that she shares with her sister Louise and their female slave Mad. When the pair of soldiers track Augusta down intent on exacting revenge, the trio of women are forced to take up arms to fend off their assailants, finding ways to resourcefully defend their home––and themselves––as the escalating attacks become more unpredictable and relentless.