A young boxer is making a name for himself inside the ring. Outside the ring, he is sucked into a world of crime. He becomes increasingly entangled in his own ambition.
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Three escaped convicts hide out in the home a reclusive woman as they wait to catch a ferry.
Kena and Ziki long for something more. Despite the political rivalry between their families, the girls resist and remain close friends, supporting each other to pursue their dreams in a conservative society. When love blossoms between them, the two girls will be forced to choose between happiness and safety.
Set in a small village in North Vietnam, a tale of awakening which traces a growing love triangle between Nham, an earnest and responsible 17-year-old country boy; the charming Ngu, his lonely and naive sister-in-law with whom he works closely in the fields; and Quyen, a stylishly vivacious expatriate who has just returned from the city, curious about life in the village where she spent her childhood. While all three characters are too reticent to unleash their feelings, the romance turns on the realization that this web of emotions is largely symbolic. Nham represents for Quyen an innocence and a past that she can’t recapture, just as she represents for Nham an urbanity and future prospects that he may never attain; and caught between the two is the delicate Ngu, left in the most desolate postion of positions.
A rising young attorney successfully defends a man accused of murder, only to have the same type of murder then happen again. Right away the previously defended man hires the attorney again, and although the attorney is quite certain that he is the killer, he agrees to again defend him… much to the consternation of his friends. However, he explains that by being his attorney he will be better able to catch the man in a mistake… and on this the rest of the film develops, with the killer playing a cat and mouse game with the attorney until, at last, they both must recognize that they are not all that different.
A lurid fantasy of wounded flesh and accursed lives that entwine and separate in a building run by a landlord (Simon Yam), who seeks to find a particular type of tenant for the property he inherits from his relatives. Driven by his desire of peeping into the darkest aspects of human nature, what he sees through the eyes of the omnipresent cameras ain’t pretty… but it gives him the wry, abject satisfaction of a dark god lording over and leering at the souls of the damned, his imagination hungering toward them.
An escaped convict tracks down the cop who put him away.
Henry “Hank” Thornton has spent the last seven years working off a debt to Jimmy “The Fat Man” Costello. His job is to drive escorts to and from their “dates”. His last night working for Jimmy goes terribly wrong when one of the ladies he is responsible for goes missing. Hank must find her before morning or face dire consequences.
On the lonely back roads of rural Australia a deadly secret from the past awaits returned soldier Sergeant Ben Cross. Vincent Malek, a cruel and uncompromising killer forces Ben to play his deadly game. Relentlessly hunted through unforgiving terrain, Ben must draw on all his strength to survive, and unravel the truth along the way. The ultimate psychological chase film with revenge at its core, The Backpacker is a thriller in the same chilling vein as the late 60’s box office sensation ‘Deliverance’. As Malek hunts Ben relentlessly through his forest hunting ground in a gruesome game of cat and mouse, the action revolves around one crucial question: how far would you go for revenge…
