A young samurai, Shojuro Sako, travels on the Tokaido to Edo with his two servants, Genta and Gonpachi. Gonpachi has been told by Shojuro’s mother to prevent his Master from drinking… The road is not safe. On the way, they meet young orphan boy, Jiro, and many other travellers: A team of great directors, including Yasujrio Ozu, Hirochi Shimizu and Daisuko Ito, assisted Uchida with his remarkable post-war comeback film. It’s an affable samurai road movie with a focus on unglamorus characters, as a dim-witted samurai and his servants traverse the Tokaido highway. Much of the film is played as comedy, making the brilliantly staged violent climax all the more shocking.
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Jennifer, an Australian girl on the run from her past, turns up in Amsterdam and, in a desperate attempt to blend in, joins a coach-load of tourists on a tour of Holland’s old windmills. When the bus breaks down in the middle of nowhere, she and the other tourists are forced to seek shelter in a disused shed beside a sinister windmill where a devil-worshiping miller once ground the bones of locals instead of grain. As members of the group start to disappear, Jennifer learns that they all have something in common – a shared secret that seems to mark them all for doom.
Paul, an American composer, and Daniel, a Mexican documentalist meet in Real de Catorce. Their encounter makes them face supernatural phenomena which seem to unearth a past buried in the desolation of the desert.
Ryota is an unpopular writer although he won a literary award 15 years ago. Now, Ryota works as a private detective. He is divorced from his ex-wife Kyoko and he has an 11-year-old son Shingo. His mother Yoshiko lives alone at her apartment. One day, Ryota, his ex-wife Kyoko, and son Shingo gather at Yoshiko’s apartment. A typhoon passes and the family must stay there all night long.
The closing years of the nineteenth century Old West. Dry River tells the story of a Mexican border town ravaged by severe drought, with the only water source controlled by a family of American renegades on the trail for a legend of lost gold. When a Mexican stranger arrives to reclaim his father’s land, a violent confrontation will cause the lives of all to be forever transformed.
London is a drug laden adventure that centers on a party in a New York loft where a young man is trying to win back his ex-girlfriend.
Tommy faces responsibility when Dil, his new baby brother, is born. As with all newborns, the child becomes a bane to Tommy and the rest of his gang. They decide to return Dil to where he came from, the hospital, but they get lost along the way. Can they find their way home and can Tommy and Dil learn to get along?
The unmarried daughter of a Texas rancher gives birth to an unwanted child. She puts the child up for adoption and moves away from home. Without her knowledge, her father took the boy and raised him. Twelve years later, she is now a successful family-court judge in L.A. Over the years, she has avoided her father and knows nothing of the child. That all changes when he decides that is time she knew her own child and heads for L.A.
Two astronomers go on a media tour to warn humankind of a planet-killing comet hurtling toward Earth. The response from a distracted world: Meh.
Fact-based war drama about an American battalion of over 500 men which gets trapped behind enemy lines in the Argonne Forest in October 1918 France during the closing weeks of World War I. Based on a true story, The Lost Battalion is set in 1918 during the final months of WWI. Assigned to capture an enemy stronghold in Charlvaux at the height of the Argonne campaign, the men of the AEF 308th Battalion, 77th Division, are led by young American major Charles Whittlesey, an inexperienced but dedicated “citizen soldier.” Totally cut off from the other allied troops, unaware of their vulnerability, and barraged by “friendly fire,” the 500-plus men of the 308th bravely hold their position, suffering incredible losses and unspeakable deprivations in the process — while the battalion’s superior officers, far from the firing line, callously prepare to write off the men as expendable casualties.
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