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AnalternativeversionoftheKingArthurlegend.Asaboy,Arthurisleftorphanedafterhisfather,KingUtherPendragon,andmotherarekilledinawarwagedagainstthembyVortigern,whothenassumesthethrone.Arthurfleesandisraisedinabrothel,knowingverylittleofhisbirthright.VortigernwantsArthurdead,toensurethereisnoclaimanttothethrone.ThelegendsforetellthatonlythenextkingwillbeabletodrawExcalibur,Uther’ssword,fromtherockwhereitislodged.So,inanefforttoidentifyArthur,VortigernforcesalltheyoungmenofArthur’sagetoattempttodrawoutthesword.NowitisArthur’sturn.Writtenbygrantss

The adventures of a Shaolin Monk as he wanders the American West armed only with his skill in Kung Fu.

The series is a companion piece to the 2001 miniseries Band of Brothers and focuses on the United States Marine Corps’ actions in the Pacific Theater of Operations within the wider Pacific War. Whereas Band of Brothers followed one company of the 506th Parachute Infantry Regiment through the European Theater, The Pacific centers on the experiences of three Marines who were all in different regiments of the 1st Marine Division.

Starsky & Hutch is a 1970s American cop thriller television series, which consisted of a 70-minute pilot movie and 92 episodes of 50 minutes each. The show was created by William Blinn, produced by Spelling-Goldberg Productions, and broadcast between April 30, 1975 and May 15, 1979 on the ABC network. It was distributed by Columbia Pictures Television in the United States and, originally, Metromedia Producers Corporation in Canada and some other parts of the world. Sony Pictures Television is now the worldwide distributor for the series. The series also inspired a theatrical film and a video game.

Spooks: Code 9 is a counter-intelligence drama series broadcast on BBC Three in 2008.

The series was commissioned by BBC Fiction’s controller Jane Tranter as a spin-off of their long-running drama Spooks, offering a “more maverick, younger perspective” that would attract a 16-24-year-old audience. The series follows a group of six new young MI5 recruits who “follow a different rule book”. It was produced by the independent production company Kudos and was filmed in and around Leeds and Bradford. The first two episodes were broadcast on BBC Three on 10 August 2008 and repeated on the same channel on 11 August 2008.

The decision to relate the new project to the original Spooks was controversial, with actor Georgia Moffett saying “it’s slightly misleading in terms of the word Spooks.” and producer Chris Fry saying “this is a completely new show. There are no crossover characters or storylines and, most importantly, it is set in a completely new world.” After the relatively unsuccessful first series, executive producer Karen Wilson claimed that many of the existing cast members were “contracted for another year” and outlined themes “we’d like to explore if we get a second series.”

Tatau follows Kyle and Budgie, two twenty-something friends from London that set off to travel the world. Ahead of the journey, Kyle gets a Maori-style tattoo to celebrate their eventual destination: the Cook Islands. When snorkeling in a lagoon, Kyle finds the dead body of a local girl, Aumea, tied up underwater. Returning to the lagoon with the police, Kyle finds her corpse has disappeared. But Kyle knows what he saw. Desperate to uncover what happened, Kyle and Budgie find themselves sucked deeper and deeper into a world of Maori myths, symbols, and hallucinatory visions… until finally the full meaning of Kyle’s tattoo is revealed.

A vast international plot explodes when a beautiful Jane Doe is discovered naked in Times Square, completely covered in mysterious, intricate tattoos with no memory of who she is or how she got there. But there’s one tattoo that is impossible to miss: the name of FBI agent Kurt Weller, emblazoned across her back. “Jane,” Agent Weller and the rest of the FBI quickly realize that each mark on her body is a crime to solve, leading them closer to the truth about her identity and the mysteries to be revealed.

Ye Xiu is the star player on an esports team that dominates the Chinese leagues of hit multiplayer titled “Glory.” His gaming days appear to have come to an abrupt halt, however, when he is forced out of his team – who are keen to accept a lucrative sponsorship deal he is vehemently opposed to.

Dejected, Ye Xiu takes a job at a late-night Internet cafe, and eventually strikes up a friendship with Chen Guo, the cafe’s owner. Eventually, Chen Guo reveals her plan – to launch a new “Glory” team led by Ye Xui. Will Ye Xiu resume his “Glory” days? And can he recruit – and train – enough fellow members to return to the top of the national rankings…and take revenge on his disloyal former teammates?

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After 250 years on ice, a prisoner returns to life in a new body with one chance to win his freedom: by solving a mind-bending murder.

Regular Show is an American animated television series created by J. G. Quintel for Cartoon Network that premiered on September 6, 2010. The series revolves around the lives of two friends, a Blue Jay named Mordecai and a raccoon named Rigby —both employed as groundskeepers at a local park. Their regular attempts to slack off usually lead to surreal, extreme and often supernatural misadventures. During these misadventures, they interact with the show’s other main characters: Benson, Pops, Muscle Man, Hi-Five Ghost, Skips and Margaret.

Many of Regulars Show’s characters are loosely based on those developed for Quintel’s student films at California Institute of the Arts: The Naive Man from Lolliland and 2 in the AM PM. Quintel pitched Regular Show for Cartoon Network’s Cartoonstitute project, in which the network allowed young artists to create pilots with no notes, which would possibly be optioned as shows. The project was green-lit and it premiered on September 6, 2010. The show is inspired by some British television series and video games. Episodes are produced using storyboarding and hand-drawn animation, and each episode takes roughly nine months to create. Quintel recruited several independent comic book artists to draw the show’s aminated elements; their style matched closely Quintel’s ideas for the series. The show’s soundtrack comprises original music composed by Mark Mothersbaugh and licensed songs.